From collection Creating Acadia National Park: The George B. Dorr Research Archive of Ronald H. Epp

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Boston-The Back Bay
Boston : The Back Bay
Let's Go - Boston - Birth of the Back Bay
Page 1 of 2
Home
Destinations
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BOSTON
LET'S GO
Boston Life & Times / History / 19th
Century: Boston Brahmins / Birth of the Back Bay
LET'S GO
Birth of the Back Bay
Search Let's Go
These immigrant groups were greeted with a less
than kindly reception from the Brahmins, who saw
BACK/UP/NEXT
them as an unwanted threat to their Puritan
A LET'S GO CITY
DISCOVER BOSTON
hamlet on a hill. Although they spent much of the
ONCE IN BOSTON
20th century trying to curb the power of immigrant
BOS
LIFE & TIMES
groups, as the years wore on it was in non-
History
Brahmins---especially Irish Catholics---that the
17th Century: Pilgrims
city's social and political power was centered.
Buy from Glob
& Puritans
Amazon,
18th Century: the
Sensing defeat, when less-than-acceptable
or for you
American Revolution
neighbors finally began creeping up onto Beacon
Not logged in
19th Century: Boston
Hill, the Brahmins evacuated and headed for land
Brahmins
that was being created just for them. Although the
Rise of Boston
filling in of Back Bay (with land from the other 2 of
STA TRAVEL
Brahmins
the Shawmut Peninsula's 3 hills) had begun in the
Civil War & Abolition
great student
early 19th century, it did not start in earnest until
from
Post-War Boom
1858, when hundreds of thousands of loads of
Birth of the Back Bay
to
gravel from Needham were transported to the city
Athens of America
depart
and dumped into the festering swamp west of
date
Aug
Early 20th Century:
Downtown Boston. Nearly 4 decades later, Boston
return
Corrupt Politics
date
had gained over 400 acres and the entirely new
Late 20th Century: a
I am a student
City Reborn
neighborhoods of the Back Bay and the South
date of birth (m
21st Century: Building a
End. Moreover, the "First Families" gained a new
Modern Beantown
place for their mansions, filling the Back Bay with
Find far
Further Resources
luxurious palaces befitting their self-envisioned
ALTERNATIVES TO
regal status.
TOURISM
Book a t
Choose a country
Only in Let's Go: Boston:
Sights
Choose a cou
Food & Drink
Nightlife
Note: See Commonwealth
Sports & Entertainment
Shopping
Avenue file.
Arrival Date:
Accommodations
Number of
Daytrips From Boston
Nights:
Planning Your Trip
Service Directory
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Let's Go - Boston - Athens of America
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Home
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BOSTON
LET'S GO
Boston / Life & Times / History / 19th
Century:Boston Brahmins / Athens of America
LET'S
Athens of America
Search Let's Go
Yet despite their snobbery and their eventual fall
from prominence, the Brahmins did leave a
BACK/UP /NEXT
significant legacy for the city of Boston, and did
A LET'S GO CITY
DISCOVER BOSTON
much to improve the quality of intellectual life
ONCE IN BOSTON
during their era of prominence. The time of the
BOST
LIFE & TIMES
"First Families" rule was one of great cultural and
History
artistic growth, centered mostly on the creation of
17th Century: Pilgrims
many important civic and cultural institutions in the
Buy from Glob
& Puritans
long-neglected Fenway area (where they remain
Amazon,
18th Century: the
to this day). Private donations from deep blue-
or for you
American Revolution
blood coffers provided most of the funding for
Not logged in
19th Century: Boston
such ventures as the Boston Public Library
Brahmins
(which doubles as an art museum), the world-
Rise of Boston
renowned Museum of Fine Arts (eventually
STA TRAVEL
Brahmins
Civil War & Abolition
moved to the Fenway from its original Copley Sq.
great student
location), the Boston Symphony Orchestra, and
from
Post-War Boom
the now-defunct Museum of Natural History, all
to
Birth of the Back Bay
built between 1840 and 1880. This influx of high
Athens of America
depart
Aug
culture and the city's propensity for fostering high-
date
Early 20th Century:
minded thinking earned Boston the nickname
return
Corrupt Politics
date
"Athens of America." Indeed, around this time,
Late 20th Century: a
I am a student
City Reborn
Mark Twain noted: "In New York, they ask 'How
date of birth (m
21st Century: Building a
much is he worth?" In Philadelphia, 'Who were his
Modern Beantown
parents?' In Boston, they ask 'How much does he
find for
Further Resources
know?"
ALTERNATIVES TO
TOURISM
Book a I
Choose a country
Only in Let's Go: Boston:
Sights
Choose a cou
Food & Drink
Nightlife
Arrival Date:
Sports & Entertainment
Shopping
Accommodations
Number of
Daytrips From Boston
Nights:
Planning Your Trip
Service Directory
Powere
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BostonFamilyHistory.com -- The Place to Meet Your Past
Page 1 of 6
Boston Family History.com
The Place to Meet Your Past
Home > Boston's Neighborhoods > Back Bay
Learn more about your ancestor's neighborhood through the timeline,
Home
find more information in the Further Reading section, or use the links
Immigrant
to experience life in that community today.
Boston
Neighborhood
History
Timeline
Walk Historic
Further Reading
Boston
Links
Plan a Trip
Genealogical
Resources
Timeline
Family History
for Kids
1600-1750: Back Bay is named as the Bay in the back of the
Guest Book
town. It is a tidal bay, and at low tide primarily tidal flats. Native
Search
American fish weirs in this area, off of what is now the Common,
Boston History
Collaborative
go back at least 1000 years. They were found during building
excavations for The New England on Boylston Street (between
Berkeley and Clarendon Streets.)
1775: British troops cross Back Bay on their way to Lexington
and Concord.
1821: Mill Dam runs from Beacon Street to Charles Street and
across to Sewellís Point, Brookline. The dam is the brainchild of
Uriah Cotting and the Roxbury Mill Corporation. The structure is
50 feet wide and one half mile long with a toll road running over
it between a row of trees. It is called Western Avenue and later
Beacon Street.
1825: Back Bay is annexed to Boston.
1827-1847: The city discharges raw sewage into the basin of
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Page 2 of 6
Mill Dam.
1837: The Public Garden opens. It is the idea of horticulturist
Horace Gray. The Garden is later redesigned by George
Meacham in 1859.
GBD'S
1850s: A second perpendicular dam is extended from Mill Dam
to Gravelley Point, Roxbury that divides the bay into two parts.
The Boston and Worcester and Boston and Providence Railroads
run across the marsh. Steam power and railroads combine to
accelerate the filling of Back Bay. However, the dam and
railroads disrupt the tides and combined with pollution make the
area a stagnant cesspool.
1857: Several contracts were awarded to fill in the Back Bay.
While some of the fill was given to the contractors, the rest was
taken by train from Needham.
1858: Arlington Street and Commonwealth Avenue Mall are laid
out. Arthur Gilman and Gridley J. Fox Bryant design a street plan
for Back Bay that is a grid. Streets are named for Massachusetts
towns from Arlington to Ipswich and arranged in alphabetical
order.
1859: Edward Clarke Cabot designs the Russell and Gibson
Houses on Beacon Street
1860: The Arlington Street Church is constructed and designed
by Arthur Gilman and Gridley J. F. Bryant. It is the oldest church
in Back Bay. By this time, Back Bay has been filled to Clarendon
Street.
1862: Emmanuel Church is designed by A.R. Estey on Newbury
Street.
1863: The initial buildings of Massachusetts Institute of
Technology (MIT) and the Museum of Natural History are built
side by side on Boylston Street. MIT is founded by William
Barton Rogers whose father Partick was an Irish immigrant who
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BostonFamilyHistory.com -- The Place to Meet Your Past
Page 3 of 6
fled to the United States after the failed Irish uprising of 1798.
Both MIT and the museum later moved.
1866: The Central Congregational Church is built on Berkeley
and Newbury.
1867: William Gibbons Preston (1842-1910) and Clemens
Herschelís (1842-1930) suspension bridge in the Garden is the
smallest of its kind in the world.
1868: The First Church (originally founded in 1632) is moved to
Berkeley and Marlborough Streets. That same year, William
Robert Ware establishes the first architecture school in the
United States at MIT.
1869: Thomas Ballís (1819-1911) statue of George Washington
is unveiled in the Public Garden. Patrick S. Gilmore hosts the
National Peace Jubilee in St. James Park to celebrate the end of
the Civil War. A 10,000 person chorus, 1,000 piece orchestra,
and 100 anvil percussion section played the Anvil Chorus of Il
Travatore as the finale.
1870: Oliver Wendell Holmesi (1809-1894) townhouse is built
on Beacon Street. It is now an apartment building. At this point,
Back Bay has been filled to Exeter Street.
1872: Thomas Paget takes visitors on the first swan boat ride in
the Garden. Park Square station is built by Peabody and Stearns
as a stop on the New York, New Haven, and Hartford Railroad. It
is later demolished.
1872-1877: The Trinity Church is built in Copley Square.
1873: Brattle Square Church, designed by Henry H. Richardson,
is built on Commonwealth Avenue. The structure is constructed
on 4,500 wooden pilings that were sunk into the ground.
1876: The original Museum of Fine Arts opens in Copley Square
on the site where the Copley Plaza Hotel now stands (built
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Page 4 of 6
1911).
1879: The Trinity Church rectory is designed by Henry.H.
Richardson (1837-1886). Peabody and Stearns finish a
townhouse for John Phillips which is now the First Lutheran
Church of Boston on Marlborough Street.
1880: Emerson College of Oratory is founded. At this point,
Back Bay has been filled nearly to the mainland.
1881: The Harvard Medical School is built at Boylston and
Exeter Streets. The Prince School is built and named after Mayor
Frederick O. Prince (1818-1881).
1883: Copley Square is named after Beacon Hill artist John
Singleton Copley.
1884: Hollis Street Church is built. Edward Everett Hale (1822-
1909) is its pastor for many years as well as being the chaplain
of the United States Senate.
1893: A 100 foot promenade is extended into the Charles River.
1895: Mary Baker Eddyís first Christian Scientist Church in
Boston is built on Falmouth and Norway Streets. The Boston
Public Library opens at Copley Square.
1901: The Lenox Hotel, designed by Arthur Bowditch, is
constructed.
1905: William Lindsay (1858-1921), inventor of the ammunition
belt, commissions Chapman and Frazer to build him a mansion
on Bay State Road. Today, "The Castle" is owned by Boston
University.
1906: Charles Brigham designs the First Church of Christ,
Christian Scientist Church on Huntington Ave.
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NABB - History of Back Bay
Page 1 of 6
NABB
History of Back Bay
Select
Home
1814
Development begins: Mass legislature chartered the Boston and
Roxbury Mill Corporation, and approved construction of a long mill
What is NABB
dam to cut off 430 acres of tidal flats from the river, which also
Join NABB
served as a toll road to Watertown. The dam is under present-day
Beacon Street.
Current News Letters
1821
Basin subdivided into Upper or Fill Basin, Lower or Receiving
Committees
Basin, to power water mills
1828
70-75 Beacon Street built along the mill dam, oldest structures in
Friends and Neighbors
the Back Bay
Activities
1841
US Harbor Commission established line beyond which the Back
Resources for Residents
Bay could not be filled, and thus encroach on the harbor
History of Back Bay
1849
Health Department demanded the area be filled
Links
1850
152 Beacon Street built for Isabella Stewart by her father
1850
Contact Us
Mass appointed commission to investigate the Back Bay and
recommend development options
Site Map
1852
July -- Commission on Harbor and Back Bay Lands appointed
1853
Commissioners on Boston Harbor and Back Bay Lands begin
writing annual reports
1855
Name of Commission on Harbor and Back Bay Lands changed to
Commissioners on Public Lands
1856
Tripartite Agreement of 1856 between the State of Mass, Boston,
and the Boston and Roxbury Mill Corporation-dividing up the
lands. Part of the city land went to develop the Public Garden.
1857
September--Filling of the Back Bay began-average depth of fill
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Back Bay History I NABB Online
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Neighborhood
Association
of
the
Back Bay
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Home About Us Membership Committees Activities City Resources Links Contact Us
160 Commonwealth Ave
Back Bay History
Boston, MA 02116
Phone: (617) 247-3961.
Fax: (617) 247-3387.
For a genealogical history of Back Bay's houses - information about who lived in them and how
info@nabbonline.com
they were used over the decades - go to the website Back Bay Houses. Launched in 2014, the
website is the culmination of ten years of research to identify who lived in (and, if possible, who
About NABB
owned) each Back Bay property. All you have to do is click on a property's address to find out the
NABB's Officers and
names of the house's prior residents (including wives' unmarried names) and read a very high-
Directors
level summary of what they did in the world. Voilà - Your instant Back Bay ancestors!
Back Bay History
Timeline of the History of the Back Bay
NABB's Community
Service Awards
1814
Development begins: Massachusetts Legislature chartered the Boston and Roxbury
News
Mill Corporation, and approved construction of a long mill dam to cut off 430 acres of
Event Calendar
tidal flats from the river, which also served as a toll road to Watertown. The dam is
under present-day Beacon Street.
Donate
1821
Basin subdivided into Upper or Fill Basin, Lower or Receiving Basin, to power water
mills
1841
US Harbor Commission established line beyond which the Back Bay could not be
filled, and thus encroach on the harbor
1849
Health Department demanded the area be filled
1850
Commission appointed to investigate the Back Bay and recommend development
options
1852
July -- Commission on Harbor and Back Bay Lands appointed
1853
Commissioners on Boston Harbor and Back Bay Lands begin writing annual reports
1855
Name of Commission on Harbor and Back Bay Lands changed to Commissioners on
Public Lands
1856
Tripartite Agreement of 1856 between the Commonwealth of Massachusetts, the City
of Boston, and the Boston and Roxbury Mill Corporation - dividing up the lands. Part
of the city land went to develop the Public Garden.
1857
September--Filling of the Back Bay began-average depth of fill 20 feet; more than
450 acres filled; fill brought from Needham; streets were filled to grade 17 (17 ft above
mean low tide), lots filled to grade 12, so basements would be below street level.
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Back Bay History I NABB Online
Back Bay from the State House 1857
1859
The Unitarian congregation, then in a church on Federal Street designed by Charles
Bulfinch, votes to build a new building in the Back Bay at the corner of Arlington and
Boylston Streets.
1860
The house at 137 Beacon Street, later known as the Gibson House, was built
1860
152 Beacon Street built for Isabella Stewart by her father
1860
Filling of Back Bay reached Clarendon Street
1861
State granted a block of Back Bay (Boylston and Berkeley) to the Boston Society of
Natural History and MIT
1861
Halcyon Place (corner of Berkeley and Commonwealth) built as a guest home for
families of patients at Mass General
1861
The Unitarians' new church, now known as Arlington Street Church, is completed. It
is the first public building in the Back Bay.
1862
Emmanuel Church (15 Newbury Street), the first building constructed on Newbury
Street, is consecrated.
1863
MIT located on Boylston-current site of New England Life building
1864
Society of Natural History building completed (Berkeley between Boylston and
Newbury)
1865
December-Toll no longer collected on mill dam toll road
1865
First statue erected on the Commonwealth Avenue Mall
1867
Central Congregational Church completed (Newbury Street and Berkeley)
1868
First Church of 1630 (Unitarian) moved from Chauncy Place to newly completed
church designed by Ware and Van Brunt (Berkeley and Marlborough)
1869
Temporary coliseum built in Copley Square. It held the National Peace Jubilee that
year, which was attended by President Ulysses Grant
1870
Filling of Back Bay reached Exeter Street
1871
160 Commonwealth, Hotel Vendome, built--first hotel in city with electric lighting, it
had an independent lighting plant designed by Edison in 1882
1871
Brattle Square Church (Unitarian) moved to newly built church designed by H.H.
Richardson (Commonwealth and Clarendon) aka-"church of the holy bean blowers."
Statues on the tower designed by Frederic August Bartholdi, designer of the Statue of
Liberty.
1872
Fire destroys 65 acres of downtown Boston
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Back Bay History I NABB Online
Commonwealth Ave in Process, 1872
1874
Second Church of 1660 (Unitarian) moved from Bedford Street to newly completed
church (Boylston between Dartmouth and Clarendon)
1875
Third Church (Congregational) moved from Old South Meeting Hall to newly
completed church (Dartmouth and Boylston)
1876
Museum of Fine Arts opened in Copley Square
1877
Trinity Church completed, designed by H.H. Richardson
1879
Commissioners on Public Lands changed to Harbor and Land Commission
1880
150 Beacon Street - Isabella Stewart Gardner bought to expand her home at 152
1880
Land for the current site of Boston Public Library purchased
1882
Filling of Back Bay complete to Charlesgate East
Ru
=
House on the Corner of Exeter and Marlborough
1883
Harvard Medical School located in building at Boylston and Exeter
1883
Triangle lot bounded by Huntington, Dartmouth, Boylston purchased and named
Copley Square
1884
Hollis Street Church completed (southeast corner of Newbury and Exeter, current site
of Exeter towers) It was destroyed in 1966
1884
Triangle lot bounded by Huntington, Trinity Place, St. James added to Copley Square
to make it a square
1885
Temple of the Working Union of Progressive Spiritualists completed (northeast corner
of Newbury and Exeter)
1887
Bridge from West Chester park in Boston to Mass Ave in Cambridge authorized
1889
Bay State Road created by dredging the river and filling the Charles Rivers
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Back Bay History I NABB Online
1890
Filling of Back Bay reached Kenmore Square
1891
Bridge from West Chester Park in Boston to Mass Ave in Cambridge opened to
travel, and renamed the John Harvard bridge
1894
West Chester Park renamed Massachusetts Avenue
1895
Boston Public Library opened in Copley Square
1895
Christian Science Church dedicated
1899
Mass Historical society moved from 30 Tremont Street to the newly built 1154
Boylston Street
1900
Filling of Back Bay completed with last few acres of the Fens
1908
Last single-family residence built on an originally vacant lot in the residential district
at 530 Beacon Street
1910
MIT moved to Cambridge
Aerial View of Back Bay, 1925
1955
Neighborhood Association of the Back Bay formed
1963-
Magnolias planted on Commonwealth Avenue
1965
1966
Massachusetts Legislature establishes the Back Bay Architectural District
1967
Back Bay Architectural Commission holds its first meeting
1969
20 Gloucester Street - First conversion of an existing residental building to
condominium units in the City of Boston
1973
Back Bay added to the National Registry of Historic Places
Images provided courtesy of the Boston Public Library. To see more historic images,
please visit the BPL's digital image gallery.
NABB
160 Commonwealth Ave, suite L-8
Boston, MA 02116
Tel: (617) 247-3961
info@nabbonline.com
Copyright © 2016 Neighborhood Association of the Back Bay. All rights reserved.
Banner photos copyright © 2008 Penny Cherubino. All rights reserved.
Web site design and development by Digital Loom - Boston, MA
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NABB - History of Back Bay
Page 2 of 6
20 feet; more than 450 acres filled; fill brought from Needham;
streets were filled to grade 17 (17 ft above mean low tide), lots
filled to grade 12, so basements would be below street level.
Back Bay from the State House 1857
1859
Arlington Street Church built
1860
The house at 137 Beacon Street, later known as the Gibson House,
was built
1860
Filling of Back Bay reached Clarendon Street
1861
State granted a block of Back Bay (Boylston and Berkeley) to the
Boston Society of Natural History and MIT
1861
Halcyon Place (corner of Berkeley and Commonwealth) built as
a
guest home for families of patients at Mass General
1862
152 Beacon Street-Isabella Stewart Gardner moved in
1862
Emmanuel Church completed (Newbury Street)
1863
MIT located on Boylston-current site of New England Life building
1864
Society of Natural History building completed (Berkeley between
Boylston and Newbury)
1865
December-Toll no longer collected on mill dam toll road
1865
First statue erected on the Commonwealth Avenue Mall (also see
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NABB - History of Back Bay
Page 3 of 6
Mall statues)
1867
Central Congregational Church completed (Newbury Street and
Berkeley)
1868
First Church of 1630 (Unitarian) moved from Chauncey Place to
newly completed church designed by Ware and Van Brunt
(Berkeley and Marlborough)
1869
Temporary coliseum built in Copley Square. It held the National
Peace Jubilee that year, which was attended by President Ulysses
Grant
1870
Filling of Back Bay reached Exeter Street
1871
160 Commonwealth, Hotel Vendome, built-first hotel in city with
electric lighting, it had an independent lighting plant designed by
Edison in 1882
1871
Brattle Square Church (Unitarian) moved to newly built church
designed by H.H. Richardson (Commonwealth and Clarendon) aka-
"church of the holy bean blowers." Statues on the tower designed
by Frederic August Bartholdi, designer of the Statue of Liberty.
1872
Fire destroys 65 acres of downtown Boston
Commonwealth Ave in Process, 1872
1874
Second Church of 1660 (Unitarian) moved from Bedford Street to
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NABB - History of Back Bay
Page 4 of 6
newly completed church (Boylston between Dartmouth and
Clarendon)
1875
Third Church (Congregational) moved from Old South Meeting Hall
to newly completed church (Dartmouth and Boylston)
1876
Museum of Fine Arts opened in Copley Square
1877
Trinity Church completed, designed by H.H. Richardson
1879
Commissioners on Public Lands changed to Harbor and Land
Commission
1880
150 Beacon Street-Isabella Stewart Gardner bought to expand her
home at 152
1880
Land for the current site of Boston Public Library purchased
1882
Filling of Back Bay complete to Charlesgate East
House on Marlborough & Fairfield
1883
Harvard Medical School located in building at Boylston and Exeter
1883
Triangle lot bounded by Huntington, Dartmouth, Boylston
purchased and named Copley Square
1884
Hollis Street Church completed (southeast corner of Newbury and
Exeter, current site of Exeter towers) It was destroyed in 1966
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NABB - History of Back Bay
Page 5 of 6
1884
Triangle lot bounded by Huntington, Trinity Place, St. James added
to Copley Square to make it a square
1885
Temple of the Working Union of Progressive Spiritualists
completed (northeast corner of Newbury and Exeter)
1887
Bridge from West Chester park in Boston to Mass Ave in
Cambridge authorized
1889
Bay State Road created by dredging the river and filling the
Charles Rivers
1890
Filling of back bay reached Kenmore Square
1891
Bridge from West Chester Park in Boston to Mass Ave in
Cambridge opened to travel, and renamed the John Harvard
bridge
1894
West Chester Park renamed Massachusetts Avenue
1895
Boston Public Library opened in Copley Square
1895
Christian Science Church dedicated
1899
Mass Historical society moved from 30 Tremont Street to the
newly built 1154 Boylston Street
1900
Filling of Back Bay completed with last few acres of the
Fens
1904
5 Commonwealth Ave built by Walter C. Baylies; 1912 built
ballroom for daughter's debut. Building now houses the Boston
Center for Adult Education.
1910
MIT moved to Cambridge
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1/4/2005
8/10/2021
Overview: Development of the Back Bay I Back Bay Houses
Back Bay Houses
Genealogies of Back Bay Houses
Overview: Development of the Back Bay
Overview - 1855-1859 - 1860-1864 - 1865-1869 - 1870-1874 - 1875-1879 - 1880-1884 - 1885-1889
- 1890-1899 - 1900-1909 - 1910-2015
The Back Bay neighborhood of Boston is built almost entirely on filled (or "made") land,
replacing what originally was a relatively shallow bay and tide lands. Transforming this
area to land which could be used for building purposes took several decades and rep-
resented one of the largest landfill operations in the 19th Century.
A number of excellent books and articles have been written on the filling of the Back
Bay. Walter Muir Whitehill's Boston, A Topographical History and Bainbridge Bunting's
Houses of Boston's Back Bay provide overviews. More comprehensive information is
included in Nancy S. Seasholes's Gaining Ground: A History of Landmaking in Boston,
which discusses the Back Bay project in the context of Boston's overall land fill develop-
ment, in Boston's Back Bay by William A. Newman and Wilfred E. Holton, which is de-
voted exclusively to the filling of the Back Bay, and in Karl Haglund's Inventing the
Charles River, which examines the evolution of the Charles River, including the
Esplanade. These books contain excellent maps showing the progress of the filling op-
erations, many based on the early blueprint maps prepared in 1881 by Fuller and Whit-
ney, civil engineers associated with the project, in their A Set of Plans Showing the Back
Bay 1814-1881.
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Overview: Development of the Back Bay I Back Bay Houses
The development of the Back Bay began as a water power project. In 1814, the Boston
and Roxbury Mill Corporation was authorized by the Massachusetts legislature to build
a dam from the corner of Charles and Beacon Streets in the east to Sewall's Point in the
west (at that time in Brookline; what is today Kenmore Square in Boston), separating
about 430 acres of tidal lands from the Charles River. A Cross Dam was built connect-
ing with the Mill Dam at a point about 210 feet west of what is today Hereford and run-
ning southwest at approximately a 45 degree angle to Gravelly Point (at about what is
today the intersection of Commonwealth and Massachusetts Avenues). The Cross Dam
divided the tidal lands into two basins. A western basin (about where the Fenway
neighborhood is today), called the Full Basin, and an eastern basin (about where the
Back Bay neighborhood is today), called the Receiving Basin. Water was allowed to
flow into the Full Basin from the river at high tide, then into the Receiving Basin and
then back into the river at low tide. The tidal flows were used to power mills located
along the Cross Dam. A toll road was built on top of the dam and is today's Beacon
Street. The project was completed in 1821 and was not highly successful.
In 1834, the legislature permit-
ted construction of two railroad
causeways that formed an "x"
across the Receiving Basin.
These impeded the tidal flows
and made the mill operations
even less productive. In addi-
tion, sewage was allowed to
flow freely into the basins and,
over time, the area became odi-
ferous and unhealthy. At the
same time, Boston's population
was growing and more land was
needed to accommodate that
Detail from an 1853 map of the City of Boston by George
W, Boynton, courtesy of the Norman B. Leventhal Map
growth. As Nancy S. Seasholes's
Center at the Boston Public Library.
Gaining Ground discusses in de-
tail, the city had historically grown by filling land, and the Back Bay presented an oppor-
tunity to eliminate a health hazard while meeting an economic need.
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Overview: Development of the Back Bay I Back Bay Houses
The map at the right, detail from an 1853 map by George W. Boynton, shows the Back
Bay as it existed in 1853, with the extension of Beacon Street along the mill dam re-
ferred to as Western Avenue.
The photograph below shows this area in a panoramic view taken from the Massachu-
setts State House ca. 1858. The Mill Dam appears on the right, running west towards
Brookline, with the Cross Dam running south to Gravelly Point. The Boston and
Worcester Railroad and Boston and Providence Railroad lines cross at the center of the
Receiving Basin.
Photograph looking west and southwest from the Boston State House, attributed to Southworth &
Hawes (ca. 1858); courtesy of the Boston Athenaeum
In 1850, the Massachusetts Legislature appointed three Commissioners to investigate
the ownership of the tidal flats in the Back Bay and "consider what measures can be
taken for the improvement of the said flats of land, so as to make them most valuable
to all parties interested therein" (Chapter 111, Resolves of 1850 and Chapter 80, Re-
solves of 1851). The Commissioners presented their report in March of 1852, recom-
mending that the Commonwealth should "authorize the parties of interest to change
the use of the receiving basin from mill purposes to land purposes, and fill up the
same," and suggested specific steps that the Commonwealth should take towards that
end.
That same month, the legislature (Chapter 79, Resolves of 1852) established a perman-
ent three member board of commissioners to implement the previous commissioners'
recommendations. The Commissioners on Boston Harbor and the Back Bay (renamed
the Commissioners on the Back Bay in 1855; Chapter 388, Acts of 1855) were charged
with the authority "to determine and settle, by agreement, arbitration or process of
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Back Bay Patrons
by Walter Muir Whitehill
When the Museum of Fine Arts was incorporated in 1870, the
Back Bay was only ten years old. Four out of the twelve Founders,
however, had already moved to the new region, although six still
lived around Beacon Hill, and two outside the city limits of Boston.
The transformation of the Back Bay from water to land was part
of a process of topographical change by which Bostonians, almost
from the moment of settlement in 1630, had been tinkering with
their landscape in an effort to accommodate an expanding pop-
ulation on the small water-ringed peninsula that had been chosen
for a wilderness village. In the seventeenth and eighteenth cen-
turies, when Boston was a compact British seaport, nearly every-
one lived close to the harbor, in the North End or the old South
End (the present department store district). Only after the build-
ing of the present State House in 1795, on the southern slope of
Beacon Hill, did the adjacent upland fields and the streets facing
Boston Common rapidly become a new residential district that
bore the architectural mark of the style of Charles Bulfinch.
In 1800 Boston was still a relatively simple, compact, and
homogeneous seaport with only 24,397 inhabitants. Its great
expansion, which was to come throughout the nineteenth century,
was SO enormous that by 1900, through waves of immigration
rolling in from Europe, Boston was a city of 560,892 inhabitants. As
the town grew, SO did its wealth. The China Trade gave nineteenth
century Boston a running start on prosperity. More money was
made in manufacturing and mercantile pursuits. Textile mills
proliferated around New England, but the capital and initiative
came from Boston, where the owners generally lived. As the cen-
tury progressed, capital gained in maritime commerce would
often be plowed not only into textile manufacturing but into the
development of railroads, mines, and land far beyond the confines
of New England. This growth in people and prosperity produced
an acute shortage of space. Thus in 1856 steps were begun to obtain
more land through the filling of the Back Bay.
Bostonians had always had a special affection for Paris, pos-
sibly because of lingering anglophobia from two wars with
England. The design of Commonwealth Avenue and other Back
Bay streets reflected the spaciousness of Baron Haussmann's new
Paris boulevards just as the new City Hall, built on School Street
during the Civil War, mirrored the architectural style of the
French Second Empire. So for that matter did the mansard roofs
86
of many Back Bay houses. By the filling of the Back Bay a hand-
some new residential district was created to replace the older
ones that were being encroached upon by business and by the
burgeoning slums.
As Franklin and Summer Streets, Temple Place, Tremont
Street, Park Street, and Pemberton Square were taken over by
business, many families built houses in the new Back Bay. John
Lowell Gardner, for example, whose family lived at the corner of
Beacon and Somerset Streets, moved to a newly built brownstone
house at 152 Beacon Street when he married Isabella Stewart of
New York in 1860. The fashion he set was eagerly followed. Dr.
Oliver Wendell Holmes reflected the general feeling when, mov-
ing to 296 Beacon Street a decade later, he announced that he
was "committing justifiable domicide."
The Bostonians who migrated to the Back Bay left none of
their traditions or characteristics behind them. Indeed they throve
even more vigorously on "the flat" of the Back Bay streets. The
proceeds of their diligence, whether in maritime commerce, man-
ufacturing, banking, or investment, continued to support Harvard
College and to found and nurture an extraordinary galaxy of
institutions, learned and benevolent, humanistic and scientific,
that make Boston and its Back Bay a center of civilization. A
transplanted English editor, E. L. Godkin, observed in 1871 that
"Boston is the one place in America where wealth and knowledge
of how to use it are apt to coincide."
Back Bay was a particular coincidence. Almost as soon as the
people came, the churches faithfully followed. The Unitarians of
the Federal Street Church, over which William Ellery Channing
had presided from 1803 to 1842, began to build in 1859, at the
corner of Arlington and Boylston Streets, the present Arlington
Street Church. The First Church bought land on the corner of
Berkeley and Marlborough Streets in 1865, and occupied a new
Ware and Van Brunt Gothic church there in 1868. On the periph-
eries of what became in 1883 Copley Square, the Third (or Old
South) Church bought land in 1869, Trinity Church in 1871, and
the Second Church in 1872.
The Back Bay Bostonians not only brought along their old
institutions; they founded new ones. From the Legislature in the
winter of 1860-1861 the Boston Society of Natural History, or-
ganized in 1830, received a grant of land on Berkeley Street (ex-
87
tending from Boylston to Newbury); on this site it soon built the
forerunner of today's Science Museum, which now houses Bonwit
Teller's shop. The remainder of this block was devoted to the
Massachusetts Institute of Technology, incorporated in 1861 and
now located across the Charles River in Cambridge. Here was
formed the first school of architecture in the United States, and
here the Lowell Institute's public lectures were given, watched
over by Augustus Lowell, who lived conveniently nearby at 171
Commonwealth Avenue. Almost next door to him, at 191 Com-
monwealth, Henry Lee Higginson watched over the Boston Sym-
phony Orchestra, which he founded in 1881. The early presence
of these institutions begat others. The newly incorporated Museum
of Fine Arts was awarded by the City on May 26, 1870 a plot of
land at the corner of Dartmouth Street and St. James Avenue that
had been given in trust by the Boston Water Power Company
(the previous owner of part of the Back Bay), to be used either
for an Institute of Fine Arts or for an open square. Nearby, the
Harvard Medical School moved in 1883 to a new building at
Boylston and Exeter Streets, while in 1888 the cornerstone was
laid for the adjacent building of the Boston Public Library, which
was first opened to readers in 1895.
Institutions begin as ideas in the mind of man. They are sus-
tained successfully only if that mind is tenacious as well as
intelligent. This is in the Boston tradition. The Boston Athenaeum,
a proprietory library incorporated in 1807, grew out of a dining
club organized in 1804 by a typical Boston mixture of clergymen,
lawyers, physicians, and merchants who were also literary en-
thusiasts. This happy ambivalence is nowhere better illustrated
than in the case of the Massachusetts Historical Society and the
Provident Institution for Savings, which from 1833 to 1856 shared
a building at 30 Tremont Street; there James Savage, an officer
of both, would happily run up and down stairs as he turned from
receiving deposits to editing historical documents. His parallel is
to be found again and again in the Back Bay: Edward Jackson
Holmes, who on the left hand was a lawyer, and on the right
hand, Acting Director and then President of the Museum; Charles
Goddard Weld, who trained as a doctor and who was one of the
greatest benefactors of the Museum's Asiatic Department; or
Henry Lee Higginson, stockbroker and music maker.
These and other Back Bay residents gave an extraordinary
88
amount of their skill, thought, and leisure to the disinterested
service of cultural and charitable institutions, and such institu-
tions have benefited extraordinarily from their generosity. This
blending of scholars with an endlessly renewable supply of literate
and responsible Trustees and treasurers has done more than
anything else to make Boston a center of civilization, or, in Alfred
North Whitehead's more affectionate view, to place Boston in a
position comparable to that occupied by Paris in the Middle Ages.
By 1900 almost every lot in the Back Bay had been completely
built upon from Arlington Street west to Massachusetts Avenue,
and from the Charles River south to Boylston Street. In the early
years of the twentieth century, the pattern of the Back Bay was
extended further to the westward along the Charles River in Bay
State Road (laid out in 1889), and to the southwest in the Fenway,
the road bordering the Muddy River and the Back Bay Fens, de-
signed in the eighties by Frederick Law Olmsted to link in a con-
tinuous green area the Public Garden and Commonwealth Avenue
with Franklin Park in West Roxbury. These extensions were over-
ambitious, for neither of them were ever completely built up with
private houses as originally envisioned. But the Back Bay from
Arlington Street to Charlesgate was a singularly unified and
handsome area. Although its houses were mostly built by indi-
vidual owners using a variety of architects, the observance of
setbacks and height limits gave an architectural unity to the
blocks. Commonwealth Avenue in the days of horse-drawn car-
riages and sleighs was a distinguished boulevard that can hardly
be imagined with today's ubiquity of automobiles, parked and
in motion.
Form followed function in the houses of the Back Bay. The
almost universal plan called for a downstairs reception room
where those not on intimate terms with the family were received.
The upstairs library or reception room was used to greet friends
and relatives. This could also serve as an office for the head of
the household, for he might come home at noon for lunch, and
afterward work on his figures under his own roof. The alleys
between the houses served as routes for tradesmen and gave
access to the back doors. Goods and victuals were delivered, a
reason why there were no shops or stores in the original Back Bay;
even today they appear only on the periphery of the major resi-
dential streets. The Back Bay was socially homogeneous, for many
89
residents would be only a block or two away from the majority
of their sisters and their cousins and their aunts. In the summer
the region was deserted, for a substantial resident would have
one if not two country houses outside the city. The Spaulding
brothers of 99 Beacon Street had a house at Prides Crossing on
the North Shore, which was in tolerable reach by train, but some
of their neighbors who summered in Maine might also have a
house in Brookline, Chestnut Hill, or Readville for spring and fall.
Between domestic moves, the Back Bay Bostonians traveled.
They visited London, Paris, and Rome; they journeyed to the Near
and the Far East. Frequently, the fruits of their travels appeared
first as loans and then as gifts to the Museum. Diligence was also
apparent here, for they collected, often ahead of anyone else,
works of rare beauty and importance. At home they encouraged,
used, and bought works of their contemporaries. John Singer
Sargent came to their houses as a welcome guest, as their court
painter, and as the decorator of their public buildings. John
La Farge made his stained glass windows for them; Augustus Saint
Gaudens sculpted their monuments and their heroes. They
painted like Edward Boit of 176 Beacon Street, who was accom-
plished enough to hold joint watercolor exhibitions with Sargent,
and to sell out almost as fast. They pursued hobbies like Mrs. J.
Montgomery Sears, who turned the attic of her Arlington Street
house into a photographic studio and library. They held musi-
cales, like Mrs. John L. Gardner and Mrs. Sears. They gave en-
couragement to the arts not only by general support but by such
specific generosities as Edward Boit's traveling scholarships for
the Museum School, or Benjamin Smith Rotch's architectural
fellowships, established in 1883, which have provided foreign
travel for such contemporaries as Edward D. Stone, Walter F.
Bogner, Wallace K. Harrison, Gordon Bunshaft, and Louis
Skidmore.
There were few places in this Back Bay world for large public
gatherings, for Bostonians have always liked the intimacy of
private houses. Eighteenth-century visitors to Boston noted that
social clubs met in members' houses, rather than taverns or
places of public entertainment. When Boston clubs in the nine-
teenth century began to acquire permanent premises, they tried
to keep them as much like private houses as possible. The only
places in Boston where one of Peter Arno's well-stuffed "club
90
men" would feel that he had elbow room are the Algonquin Club,
built in 1887 by McKim, Mead and White, and the Harvard Club
of 1913, both on Commonwealth Avenue. The St. Botolph, Chilton,
and College Clubs in the Back Bay occupy converted dwellings,
as the Somerset, Union, Tavern, Odd Volumes, and Women's City
Clubs do in other parts of Boston. All attempt to maintain the
illusion of the private house.
Just as the Museum of Fine Arts migrated from Copley Square
to Huntington Avenue and the Fenway in 1909, most of the private
residents of the Back Bay have decamped. As the automobile
altered living habits, and as domestic service vanished, fewer
and fewer of the largest private houses continued to be occupied
in the manner for which they were built. Some have become
apartments; others, offices, schools, or, at the worst, rooming
houses. But the tide is turning, and as Beacon Hill houses have
become increasingly difficult to find, or afford, the prospects of
the Back Bay seem brighter. But whatever alterations may have
been made within, a sufficient portion of the Back Bay has sur-
vived to present a coherent picture of American architecture of
the second half of the nineteenth century that cannot be matched
elsewhere in the United States. Because the Back Bay is an
architectural harmony that deserves respect and preservation,
the Museum of Fine Arts on its centenary arranges this exhibi-
tion as a tribute and as a timely warning. The pages that follow
endeavor to show how certain residents played decisive roles in
molding the Back Bay and in making the Museum what it is today.
Walter Muir Whitehill
91
50
€
Boston's Back Bay : The story of Americas gred test 19th Centery handfill Project
neighborhood for many decades to come. Attracting some of the most
prestigious Protestant churches and important cultural institutions to
CHAPTER 3 BostoniNortheatum U.P., 2006.
the Back Bay would keep many wealthy Protestant families in Boston.
D
Pollution, overcrowding, and a desire to keep wealthy Protestants in
William A. Newman
Boston were three compelling reasons for filling the Back Bay. While
these motivations generated interest in creating the new neighborhood,
Wilfaed E. Holton.
carrying out such a massive project would be possible only if political
and financial considerations could be worked through by several gov-
Planning and Financing
ernments and business interests. Leaders faced the challenge of making
real the dream of a new, elegant neighborhood to replace a badly pol-
the Back Bay Landfill
luted former tidal marsh. Planning for filling the Back Bay would start
in 1852 and the complex project would begin in 1858.
Filling parts of the Back Bay began to be considered soon after the tidal
110
power project was completed in 1822. Several early plans and false starts
were motivated by the increasing pollution and crowding as Boston's
population grew. The various unrealized ideas for filling in the Back Bay
reflected key considerations that would remain strong when the Back
Bay Receiving Basin was finally filled, starting in 1858. Objections that
were raised to some plans revealed concerns that would later shape plan-
ning for a new, elegant neighborhood. Making the Back Bay project hap-
pen required getting through bitter conflicts among several government
groups and private parties: the Commonwealth of Massachusetts, the
cities of Boston and Roxbury, the Boston Water Power Company, and in-
dividual landowners and planners. In the end, the State Commission
would be the most powerful player in pushing the project through to
successful completion.
Early, Unsuccessful Plans
In 1824 a plan was proposed to fill and subdivide the area west of Charles
Street, just west of the Boston Common beyond Charles Street (see fig.
3.1). As described by its promoters, the plan called for an elegant devel-
FIGURE 5.13. View of Commonwealth Avenue. This photograph, apparently taken from
opment with 321 house lots, spacious streets, and squares. 1 Five streets,
the church tower at the corner of Clarendon Street and Commonwealth Avenue, shows
each one block long, would run parallel to Beacon Street (the Mill Dam)
the view to the west in 1872. Most houses have been completed in the block between
Clarendon and Dartmouth Streets. The corner lots at Dartmouth Street lie six feet below
and stop near the edge of the Eastern Channel in the Receiving Basin.
the street level, illustrating the waffle pattern that was created when the middles of resi-
The City of Boston committee appointed to investigate this plan feared
dential blocks were left unfilled. Building construction had yet to occur on Common-
that the new area would not attract wealthy buyers and instead would
wealth Avenue west of Exeter Street. (Boston Athenaum.)
FRAMINGHAM STATE COLLEGE
10
Boston's Back Bay
Why Fill the Back Bay? 47
"social psychology" factor in the "Ecosystem Model" for understanding
prejudices brought from England. The neighborhoods with the highest
regional change. The values and desires of powerful groups in Boston
percentages of Irish residents in 1850 were the Commercial District and
shaped the project in fundamental ways. The other factors in Duncan's
the old South End (62.6 percent), the North End (42.7 percent), South
ecosystem model are population, organization, environment, and tech-
Cove (42.5 percent), South Boston (42.1 percent), East Boston and the Is-
nology all important elements in the filling of Boston's Back Bay.
lands (40.9 percent), and Haymarket and the West End (40.4 percent).
Chickering then considered the causes of the recent decline in the
"American," or native-born, population. He estimated that two thousand
Social Concerns Leading to Filling the Back Bay
men had gone to California from Boston in the past year, lured by "that
golden expedition," the gold rush. That emigration was of little concern
Planning for the new Back Bay strongly emphasized keeping as many
to Chickering, however, compared with the much larger number who
wealthy families in Boston as possible. In the 1850s nearly all Boston's
had moved to the suburbs of Boston. He noted the impact of commut-
high income families were Protestant and their primary breadwinners
ing by train, showing that many "merchants and others doing business
were businessmen and professionals who worked in downtown Boston.
in the City" had recently moved to neighboring towns and could com-
Understanding social motivations in planning for the Back Bay proj-
mute to their downtown jobs "as quickly and cheaply as if they had con-
ect requires looking at the demographic and social changes revealed in
tinued in their former residences." Chickering estimated that twenty
the 1850 and 1855 census data and examining the reactions of commu-
thousand people were commuting to Boston by train daily in 1850. 66
nity leaders to those changes. Dr. Jesse Chickering's special report in
The railroad commuters were well-to-do Protestants who had moved
1850, discussed above, was commissioned by the city to investigate "some
out of Boston-pushed out by crowded conditions in the city and the
facts and considerations relating to the foreign population among us, and
influx of poor Irish immigrants, and attracted to the suburbs by avail-
especially
in
the City of Boston. "62 Although the possibility of filling the
able land, large houses, and efficient transportation. This emerging sub-
Back Bay is not mentioned in Chickering's report, he indicated clearly
urban movement of high-income Protestant families threatened to in-
the need to keep native-born residents in the city so the "foreign class"
crease rapidly the relative population of Irish Catholic immigrants. It is
would not completely dominate Boston.
clear that Chickering feared this trend would continue and he felt that
Between 1845 and 1850 Boston's population grew from 114,366 to
Boston's character would change for the worse.
136,881, and the "foreign portion" (including children of foreign-born
The considerations of ethnicity, religion, and class were very impor-
parents) increased from 32.6 percent to 45.7 percent, nearing half of
tant to the established "American" group, which was indeed losing the
Boston's population. Most remarkably, the "foreign" population had
light grip it had held on Boston's politics and culture for more than two
grown by 70.2 percent in five years' time, while the "American" portion
hundred years. Until the early decades of the nineteenth century, English-
had decreased by 2.3 percent. Chickering stated that "most of this foreign
descendant families who could trace their residence in Boston and New
population are Irish
mostly poor, downtrodden and uneducated."
England from the seventeenth century had dominated Boston at all lev-
He did note that, while these immigrants required charity, they tolerated
els of the social structure. Chickering did hold out some hope for re-
their "trials" well and made their "scanty means" go as far as possible. 63
taining the elite Protestants of English origin, whom he clearly valued
Chickering was concerned that a large majority of the children in pub-
and wanted to keep in Boston. 67 As he wrote, the South End develop-
li primary schools were "foreign" children. These young people would
ment was beginning to hold some wealthy Protestant families in the city.
soon become adults, gain citizenship, and form a large voting bloc. 44
Social motivations for the Back Bay project centered on providing hous-
In 1850 large portions of the populations in several Boston neighbor-
ing for this group in Boston, and on giving them ample social and cul-
hoods consisted of "foreigners"-foreign-born people and their chil-
tural reasons to remain in the city.
dren. Fully 83.4 percent of this group originated in Ireland, and their
George Adams's report on the 1850 Boston census stressed the need to
Catholic religion was hated and feared by many Protestants because of
give wealthy people who might move to the suburbs more reasons to
48
Boston's Back Bay
Why Fill the Back Bay?
49
stay in Boston. He noted that the city already provided ample water
English Puritans dating from Boston's seventeenth-century origins. This
piped from Lake Cochituate in Framingham and operated good public
reflects the growing anti-immigrant sentiments of the time.
schools. Adams went on to say that, even without landfill for residential
Keeping much of the influential wealthy Protestant group in Boston
areas, Boston had the potential to double its population by developing
promised at least to postpone the time when Irish Catholic immigrants
East Boston and South Boston, but he overlooked the fact that those
would dominate the political power of the city. Creating the Back Bay as
neighborhoods were too far from downtown Boston to be convenient
an attractive, exclusive neighborhood close to downtown offices, Beacon
for
"the business class." A filled Back Bay would be an ideal location,
Hill, and the new Public Garden gave promise of maintaining the "Old
essentially an extension of the prestigious Beacon Hill neighborhood
Yankee" character of Boston. Though Curtis does not mention the plan-
and near the workplaces of many wealthy Protestants.
ning for the Back Bay project, which was then under way, it was clearly
The population of immigrants and their children increased at a slowed
designed to keep wealthy Protestants in Boston.
rate of 34.7 percent between 1850 and 1855. In the same period the "Amer-
Curtis also commented favorably on efforts by Governor Henry J.
ican" population barely held its own, increasing by only 0.8 percent. The
Gardner of Massachusetts to reduce the influx of undesirable immi-
net result of these changes was that the "foreign" population grew to rep-
grants. 75 Gardner was swept into office in 1854 by the astounding success
resent 53.0 percent of Boston's residents in 1855. 69 Curtis concluded, with
of the American Party in Massachusetts. 76 This political party, organized
a tinge of dread, that it was unlikely that, in the foreseeable future, "na-
through secret lodges of Protestant men in towns and cities, attacked the
live" Americans would again constitute a majority of Boston's popula-
ineffectiveness of existing parties and the corruption of politicians, and
tion.70 Boston would be a largely Catholic city and the Protestants' views
it claimed to champion the interests of common citizens-meaning
of the Catholic religion were very negative in the mid-nineteenth cen-
native-born Americans, excluding American Indians. The members of
lury, based on fears carried from Protestant Europe. This was the time
the American Party were called "Know-Nothings" by their opponents and
when "no Irish need apply" was a common discriminatory phrase in job
the press because they would not reveal anything about the workings of
listings in Massachusetts.
their organization. The American Party's power in Massachusetts coin-
In 1855, 80.2 percent of the immigrant group had Irish origins, and the
cided exactly with the planning of the Back Bay landfill project: the final
political implications of the growing "foreign" population were not lost
plan of the State Commission was approved in 1856. The anti-immigra-
on Curtis. 71 He emphasized that "native" American voters had increased
tion ideology of this political party seems to have influenced the strong
only 30.38 percent since 1850, but the number of "foreign" voters had al-
efforts of the commission on the Back Bay and the state legislature to at-
most tripled-a 194.64 percent increase. Curtis also pointed out that
tract wealthy Protestant families to the new Back Bay neighborhood.7 77
"il very large number of those who do business in Boston reside out of
Governor Gardner was reelected in 1855 and 1856 by smaller margins,
town with their families and households (estimated at 40,000). 72 This
but the American Party was weakened when Gardner took control from
represents doubling in railroad commuting from the 20,000 daily com-
the secret lodges because the members distrusted authority. In his 1856
muters estimated by Chickering only five years earlier.
inaugural address, Gardner announced that he would not run for re-
Curtis expressed concern about the 200 percent higher birthrate in
election and continued to stress the dangers of immigration and the role
the "foreign" population in Boston than in the "native" population since
of the "horde of foreign born" in the growth of the Democratic Party. 78
1850.7 The projected impacts on the public schools and on the future
Although the "Know-Nothings" lost power quickly, the desire of the State
political balance of power were of deep concern to the established "Amer-
government and other leaders to attract wealthy Protestants to the Back
ican" population in Boston. Curtis wrote that "the native inhabitants"
Bay continued unabated.
should "guard with patriotic care the glorious institutions bequeathed
The planning for the new Back Bay would soon demonstrate an em-
by il noble ancestry"; he concluded that proper efforts should be made
phasis on this desire. The layout of streets, avenues, and parks would cre-
to maintain a large majority of native-born citizens in Boston. 74 The
ate an elite neighborhood. Zoning restrictions and measures taken to
"glorious institutions bequeathed by a noble ancestry" were the legacy of
keep the prices of house lots high would maintain the high status of the
08
Boston's Back Bay
Planning and Financing the Back Bay Landfill O 69
the City of Roxbury over seventy-two acres of land between the new city
As the planning stage concluded and the filling process neared, an im-
line and Gravelly Point (see fig. 2.4). 49
portant decision was made that would increase the success of the new
The commissioners favored an elegant but simple plan with wide
Back Bay neighborhood. It would have been easier to start the filling at
streets in rectangular blocks. The successful plan of 1856 is generally cred-
the western end of the State's land, near Exeter Street, because the gravel
ited to the architect Arthur Gilman, assisted by another architect and
trains would not have to go as far or to cross from the Boston and Worces-
two landscape gardeners. 50 Mona Domosh tells us that Gilman's plan for
ter onto the Boston and Providence tracks before swinging onto the
the Back Bay was based on English precedents. She says that Gilman vis-
marshland. But that approach would have created the first new land in
ited London, where several of the city's most famous architects showed
the middle of the polluted area, isolated completely from other residen-
him the sights. He saw the new grand boulevards in London's West End,
tial neighborhoods. The land would not have been in demand because
particularly in Bayswater (north of Hyde Park) and Kensington (south
of its bad location. Instead, the plan was set to begin filling at Arlington
and west of the park). 51
Street on the State's land and to proceed westward block by block. In this
Social motives are clear in the commissioners' description of how
way the first land would lie near the wealthy and well-established Bea-
they developed the final plan. They listened attentively to the sugges-
con Hill neighborhood, the new Public Garden, Boston Common, and
tions of several "gentlemen of taste and judgment" who planned to pur-
downtown businesses, making it much easier to attract high-income
chase lots in the new neighborhood when it was filled. 52 As
a
result
of
families to buy house lots there. Land could be sold at higher prices and
this process, Commonwealth Avenue was made more than 50 percent
elegant homes could be built as soon as the land was filled, with wide
wider than originally planned, which was accomplished by narrowing
new streets providing easy access to the rest of the city. In a similar fash-
other streets and reducing the depths of lots. Commonwealth Avenue
ion, the Boston Water Power Company would fill its lands from the ex-
was made 200 feet wide, and there were open spaces of 20 feet in front of
listing shorelines into the Back Bay, starting at the newly fashionable new
the houses on each side. This made a total width of 240 feet between the
South End along Tremont Street.
houses for the central avenue. The increased width of Commonwealth
Strong evidence of social motivations in the planning process is seen
Avenue created the "mall," the middle portion dedicated to trees, shrub-
in the selection of appropriate institutions for the Back Bay, and the
bery, and other ornamental purposes. 53 The roadways on both
sides
reservation of key pieces of land for them (see fig. 3.8). A full block in a
were left the same width as originally planned.
prime area was set aside and donated to the Massachusetts Institute of
The commission set aside about one-third of the Back Bay for public
Technology and the Museum of Natural History.
purposes, with the obvious motive of attracting appropriate residents.
Copley Square, the most important public space after the Common-
Priority was placed on establishing a good system of streets, avenues, and
wealth Avenue Mall, was planned to achieve this significance with the
public squares to make the territory as attractive as possible and to con-
presence of the Museum of Fine Arts and two elite Protestant churches
vince people to select house lots in the Back Bay. 54 Domosh argues that
(Trinity Episcopal and New Old South Congregational). The massive
the plan reflected the control of a small elite and was designed to benefit
Boston Public Library facing Copley Square would be built in the early
only that group SO that Boston could become the cultural capital of the
1890s. Other churches and institutions linked with wealthy Protestant
United States. The design of the area, with Commonwealth Avenue as
society built new facilities in the Back Bay, firmly establishing their place
its local point and rectangular blocks, served the Protestant elite's dual
in "Proper Boston." The commissioners bragged that nearly one-seventh
purposes of setting themselves off from the commercial city that had a
of the land that could have been sold had been donated to the city of
tangle of curved streets, with the Common and Public Garden acting as
Boston and to prominent institutions.
57
an effective barrier, while they remained close enough to the downtown
In 1859, a year after filling began and when the first buildings were
to exercise control. The elite did not flee the central portion of the city of
under construction, a bold plan with a lake was put forward by George
Boston en masse, as the upper class in most cities was doing at the time. 56
Snelling, a prominent Bostonian and a business partner of David Sears.
Dorr Property
#
18
Planning and Financing the Back Bay Landfill 71
0
1/4 Mile
Under Snelling's design, there would be no Commonwealth Avenue. In-
0
1/4 Km.
Boston
Common
stead, a narrow, long body of water would run the length of the Back Bay,
Charles
filling the space between Marlborough and Newbury Streets from the
Beacon
Public
Garden
Public Garden to the Cross Dam. West of the Cross Dam, the plan shows
5
the body of water extending all the way to the Mill Dam at Beacon Street.
Snelling acknowledged that a few houses under construction on Arling-
14
6
15
2
ton Street would have to be removed to implement his plan. 58 The com-
12
4
missioners ignored Snelling's proposal and moved ahead rapidly on the
10
Copley
filling. In 1861, the Commissioners on Public Lands replaced the Com-
Square
11
8
missioners on the Back Bay.59
In 1861, five years after the State's plan was finalized and three years
90
after the filling began, David Sears reappeared and succeeded in con-
vincing the state legislature to require the State Commission to negoti-
ate with the Boston Water Power Company and riparian owners to in-
clude a lake between the State's land and the Cross Dam. There were
Gravelly
Point
meetings on this, but no agreement was reached, even though the State
offered to pay one-third of the cost. 60 Apparently, there was little
inter-
est in adding a lake that would reduce the amount of land that the
Boston Water Power Company could sell.
Financial interests seem to have influenced David Sears in pushing
FIGURE 3.8. Map showing the key cultural institutions in 1895. Placing prominent insti-
tutions in the new neighborhood was an important way to attract wealthy families to the
the Silver Lake plan SO long and hard. Years before, he had bought sev-
Back Bay and give the area a positive image. This 1900 map shows that higher-status
eral plots of land on the eastern shore of Gravelly Point, which included
Protestant churches were scattered broadly throughout the Back Bay. The churches in
riparian rights to large portions of the marsh extending well into the
the Back Bay proper were Episcopal (Church of England), Congregational, Unitarian or
Receiving Basin. An 1862 map shows "D. Sears" owning an irregularly
Universalist, Baptist, and Spiritualist. The closest Catholic Church was tucked outside
shaped area roughly equal to the hundred acres controlled by the State.
the southwest corner of the area, near Massachusetts Avenue, among stables and other
David Sears is designated as the owner of about three-fourths of the lots
service buildings. Educational institutions included the Massachusetts Institute of Tech-
nology, Harvard Medical School, and several Boston public schools. The Museum of
in the Back Bay west of the future Exeter Street between Boylston Street
Natural History and the Boston Museum of Fine Arts occupied prominent locations.
and Commonwealth Avenue (see fig. 3.9). 61
The Boston Public Library was added to Copley Square in 1895 after earlier apartment
Creating a large lake near the middle of the Back Bay would have left
buildings were removed from Dartmouth Street.
David Sears owning much of the valuable land on the lake's western shore.
Institutions and Churches in the Back Bay in 1900:
After the State paid for the cost of most of the landfill project, Sears
1. Arlington Street Church
8. Museum of Fine Arts
, Museum of Natural History
could sell his land to wealthy buyers at a very large profit.
9. Boston Public Library
1. Church of the Covenant
10. New Old South Church
The push for Silver Lake lived on and, late in 1865, George Snelling
Massadisens Institute of Technology
11. Harvard Medical School
visited the commission offices to make another, even more drastic pro-
The First Church in Boston
12. First Spiritualist Temple
posal to build a lake. Snelling wanted to improve the health of Boston by
First Baptist Church
11. Prince School
removing many of the structures now standing on land sold by the com-
Trinity Church
14. Algonquin Club
missioners and to excavate il magnificent lake covering a few acres. This
15. Mount Vernon Church
would have meant that many new brick and stone mansions would be
(Mapworks ID 2005.)
destroyed. Snelling told the commissioners that he had done his best to
72
o
Boston's Back Bay
Planning and Financing the Back Bay Landfill
73
Among other issues, the resolve called for making some funds available
Mill
Dam
before any land was sold by allowing the governor to draw up to ten thou-
sand dollars from the state treasury to be used by the commissioners for
the
initial
filling. 64 A short time later, the resolve was revised, with the
Commonwealth
only change being that the governor's power to draw the cash had been
removed. Therefore, the State Legislature stipulated that, until land sales
began, no money at all would be taken from the treasury for the project
Boyiston St.
except to cover incidental expenses of the commission. The commission-
ers would have to find ways to fill the former tidal marsh economically
Gravely Point
David Sears
with innovative approaches to financing so the project would not bur-
den the taxpayers.
From the beginning, the commissioners faced a dilemma when the
Crafts
Hathaway
State Legislature refused to provide any start-up money for commenc-
ing the landfill process. The contractors' bids in 1857 had called for start-
up payments so they could assemble their equipment and workers; with-
out this, the cost per cubic yard for filling the area would have been
D. Sears
much higher. The commissioners' solution in 1857 was to sell a large
piece of unfilled land on Beacon Street about a year before the contrac-
tors began to fill the marsh. This land, in the first block of Beacon Street
between Arlington and Berkeley Streets, would be filled by the two
PIGURE Map showing large plots of David Sears's land and the Craft and Hathaway
lot in the Back Bay. A large part of the land between the State's section of the Back Bay
wealthy buyers; the proceeds of the sale could be used to pay the initial
and Gravelly Point belonged to Sears by ripparian rights in the former tidal basin. This
fees of the contractors to cover start-up costs. This first plot of land was
in reage promised to become very valuable after filling turned the Back Bay into
a
sold at a very low price, $70,000 for 1.5 acres, most of a well-located block,
wealthy neighborhood. An oval lake in the Back Bay would have put much of the lake's
only about $1.05 per square foot. 65 The commissioners were accused of
western shore on Sears's land.
favoritism and selling the land too cheaply, but their actions were found
to be proper. The commissioners defended the sale by stating that the
prevent the sales of land. His proposal that his plan should be presented
high status of the buyers, William W. Goddard and T. Bigelow Lawrence,
by the commission to the next legislature was declined on the day of his
would improve the chances of success for the landfill project and gener-
visit and nothing more was heard of a lake in the Back Bay. 62
ate large amounts of money for the State. 66
The last change in state control of the Back Bay project came in 1877
The commission's report for 1861 detailed the cautious approach and
when the Commissioners on Public Lands were abolished and their duties
the slow beginning of land sales intended to maximize the long-term
were transferred to the Massachusetts Board of Land Commissioners. 63
positive outcomes. At first the contractors, George Goss and Norman C.
Munson, were paid in land rather than in cash because funds could not
be drawn from the State treasury. For a few years after the first sale to
Financing the Landfill Process and Land Sale Policies
Goddard and Lawrence, much more new land was paid to the contrac-
lors than was sold to the public by the State. In 1858, the first year of
People today often assume that taxes or government bonds financed the
filling, 261,632 square feet went to Goss and Munson, valued at $305,000,
cost of the huge Back Bay landfill project. Early in 1856 the commission-
or $1.17 per square foot; this was treated as a cash payment to the con-
ers proposed a resolve to be debated and voted by the state legislature.
tractors equaling their charges for the work. The contractors then began
1.1
Boston's Back Bay
Planning and Financing the Back Bay Landfill
75
selling their land as fast as they could to pay expenses and to make a
The legislature authorized the issuing of scrip and required selling
profit. In 1858 the State sold only 54,832 square feet for $101,281, an aver-
new land by public auction after May 4, 1860. All state land had to be sold
age of $1.85 per square foot. The demand for land was even lower in 1859,
at public auction until April 1879 (see fig. 3.10). The first auction was ad-
and only two lots on Commonwealth Avenue were sold by the State; they
vertised in a catalogue dated October 24, 1860, and the bids were opened
totaled 6,972 square feet at $17,430, an average of $2.50 per square foot.
on December 1 of that year. 72 Each auction offered house lots in a few
The State's only sale early in 1860 was a strip three and a half feet wide to
sections of filled land, and the minimum bids were set at specific prices
increase a lot purchased in 1858. 67
per square foot for particular lots. Strict zoning restrictions were placed
This situation posed a very serious problem: the State was competing
on the houses to be built and limited other uses of the land. In 1860, in
with the contractors to sell land. By March 1860 there had been so few
all, private sales by the State accounted for 213,952 square feet sold for an
land sales during the preceding fourteen months that the commission-
average of $1.58 per square foot, and 126,701 square feet were sold at auc-
ers had hardly any resources for carrying on the work. The contractors
tion for an average of $1.91 per square foot. 73
had been paid with large quantities of land and had been able to com-
More auctions were held by the Commissioners on Public Lands at
pete in the market by selling land at prices starting at $1.71 per square
scattered intervals over the next several years. In all, twenty-four auction
foot. Meanwhile, the commissioners held out for prices of $2.50 on
sales were held, and about three-fifths of all the State land was sold in
Commonwealth Avenue and $1.50 on the side streets. They could not sell
this way. 74 For example, there was the "Catalogue of 19 Lots of Land on
State land at these prices because similar house lots were available at
the Back Bay Belonging to the Commonwealth of Massachusetts, front-
much lower prices from the contractors. 68
ing upon Commonwealth Avenue and Marlborough Street to be sold at
This 1861 report shows that the State faced unfair competition for the
public auction, on Tuesday, October 21, 1862, at 11 o'clock, A.M., on the
sale of land from Goss and Munson, and this created a serious problem
premises, by order of Franklin Haven, E. C. Purdy, Charles Hale (Com-
when demand was low, as it was in the late 1850s and early 186os. Goss
missioners on Public Lands)." The auctioneer was N. Thompson and
and Munson received prime lots near the Public Garden as payment for
Company. The auction catalogue has a fine map of the Back Bay that
the filling work, which left some of the less desirable land for the State to
names only Arlington, Berkeley, Clarendon, and Dedham (later changed
sell. The State could not sell land at the prices it felt would guarantee
to Dartmouth) Streets crossing Commonwealth Avenue. The auction
only high-status buyers, and so it held newly filled land off the market.
offered ten lots on the south side of Commonwealth Avenue: a corner lot
Therefore, the commissioners did not have the money they needed to
with a minimum bid of $2.75 per square foot and nine other lots at mini-
push the filling ahead as fast as possible.
mum bids of $2.25. There were also one lot on the north side of Common-
The commissioners appealed to the legislature in January 1860, sug-
wealth Avenue with a minimum bid set at $2.25 per square foot and eight
gesting issuing scrip (paper money issued for temporary, emergency
lots on Marlborough Street with minimum bids of $1.38. 75
use) to continue the filling before more sales could be made. This request
When enough money had flowed into the State treasury after a few
was referred to the Committee on Finance. After a delay, the commis-
years, the commissioners began to pay the contractor in cash or mort-
sioners' proposal was denied and they were forced to sell land to obtain
gages rather than in land, which gave the State more land to sell. The
funds. In 1859 an offer to buy a large plot of land on Commonwealth
Boston Water Power Company followed the same pattern as the State,
Avenue at an average cost of $1.75 per square foot had been rejected. This
paying the contractors in land for the first few years and then shifting to
offer was then accepted in 1860, and the buyer agreed to build immedi-
cash or mortgages.
ately enough first-class residences to establish the character of the new
Land sales were strictly regulated by the State Commission to keep the
neighborhood. These moves first to demand higher prices, and then to
sales prices high and to attract wealthy buyers as the filling of land pro-
place stipulations on the land sale that would guarantee a wealthy set of
ceeded. The commission sold segments of the filled land at irregular in-
new homeowners, are direct evidence of the social motivations under-
tervals in an effort to keep the prices up. In years when demand was low,
lying the project.
no land was sold at all. This first occurred in 1861, although the filling
188
Boston's Back Bay
Epilogue 189
The Back Bay today contributes to the social and cultural life of Boston
Back Bay survives in spite of negatives such as parking shortages, crowded
in very significant ways. The French Library and the Goethe Institute are
conditions, rush-hour traffic, and overloaded public transportation.
venerable institutions committed to preserving European cultures and
The initial success of the Back Bay in the nineteenth century resulted
languages. Several private clubs continue to have active schedules of ac-
from the successful sale of house lots to wealthy families. The buyers then
tivities and draw their memberships from the whole metropolitan area.
engaged architects and planned elegant mansions in the latest French
Historic Protestant churches maintain active religious and social service
styles. Homes were built over the span of a few decades, and SO attractive
programs in the Back Bay. The Christian Science Church complex occu-
streetscapes were created along the new, tree-lined streets. Common-
pies an impressive site near the southwest corner of the area. Only Saint
wealth Avenue and its leafy mall established the elegance of the Back Bay
Cecelia's Church, between the Prudential Center and Massachusetts Av-
with its Old-World flavor. This narrow park would later be connected to
enue, serves the Catholic population; there are no Jewish synagogues.
a string of green spaces stretching out to Franklin Park known as Boston's
The Boston Public Library in Copley Square, the first free public library
"Emerald Necklace"; the Back Bay is thus an important link in the park
in the United States, is a center for research, and an active program of ed-
system that starts with Boston Common and the Public Garden.
ucational lectures and other events is held in its Rabb Auditorium. Just
Prestigious Protestant churches followed their members into the new
outside the original Receiving Basin, Symphony Hall and three music
Back Bay, building solid stone structures in Gothic and Romanesque
colleges are clustered near Massachusetts Avenue; they play central roles
styles. Key educational and cultural institutions in the Back Bay solidified
in Boston's cultural life.
its image in the first decades: the Massachusetts Institute of Technology,
The Commonwealth Avenue Mall and the Charles River Esplanade
the Museum of Natural History, the Museum of Fine Arts, Harvard
provide attractive parkland. These areas of green space and water in the
Medical School, and more. Early in the twentieth century, Symphony
heart of a great city add to the Back Bay's image and attract many people
Hall, the Opera House, the New England Conservatory of Music, and
for relaxation. Summertime concerts on the Esplanade and in Copley
the Gardner Museum were located in the nearby Fenway area.
Square are popular, crowned by the famous and very popular Fourth of
Toward the end of the nineteenth century, the Back Bay established it-
July Boston Pops concerts. The Charles River, formerly a tidal estuary,
self as a very successful, wealthy, residential neighborhood. A rich social
has been cleaned to a great degree, so it is more attractive than ever for
and cultural life was maintained by the neighborhood's "Proper Boston-
rowing, sailing, and even sailboarding, which often dumps participants
ian" families. Victorian values and lifestyles thrived in the men's and
into the water.
women's clubs, schools and cultural organizations for children, classical
The current success of the Back Bay derives largely from factors stem-
music and theatrical venues, parties, balls, musical evenings in private
ming from the planning and development work done in the nineteenth
homes, and rounds of "at home" visiting by women of the higher class.
century. The location continues to be very popular-close to workplaces
The Back Bay neighborhood entered a period of decline by 1920, which
in the downtown and to Back Bay businesses, near restaurants and the-
only deepened after the stock market crash in 1929. Soon after 1910, MIT,
afters, and adjacent to Beacon Hill, the Public Garden, and Boston Com-
the Museum of Fine Arts, and Harvard Medical School moved to new
mon. The construction of nineteenth-century mansions initially set the
locations where they could have larger facilities and generous acreage
pattern for Back Bay development, which is maintained to the present
that would allow future expansion. In the 1920S the automobile and im-
day. The older buildings are continually renovated internally and up-
proved roads serving Boston's suburbs induced many wealthy families to
dated while the distinctive architecture is preserved carefully, as it would
move outside the city, where they could build large homes on expansive
be in a historic district setting.
lots. The exodus of leading families drained much of the cultural and so-
Universities and colleges near the Back Bay are thriving, contributing
cial vitality out of the neighborhood. This reduced the prestige of the
to the spending in local stores and adding to demand for housing and
Back Bay and put housing on the market when there was not much de-
services. Students and other young Bostonians keep the nightlife lively
mand for homes in the city. Back Bay residential buildings started sell-
on the Back Bay's commercial streets. The very positive image of the
ing for lower prices, and so began a downward spiral.
190
e Boston's Back Bay
Epilo, 191
For several decades, many of the Back Bay's town houses originally
ous problems lie in the environmental realm. Falling water tal in cer-
occupied by single families were broken up into small apartments that
tain areas threaten the foundations of buildings resting on wom piles.
were rented to clerical workers and young, middle-class workers. The
Corrosive gas from former pollution remains in some place: severe
building exteriors and public spaces became shabby, as the owners and
earthquake near Boston, while not likely, could knock down ny older
the City were less able to maintain them. The Back Bay suffered from the
brick and stone buildings on the unstable land of the Back Bayd cause
Great Depression of the 1930s as professional and business jobs declined
injury and death.
in Boston. The continued movement of families to the suburbs and to
On balance, the future looks very bright for Boston's Backy after
middle-class neighborhoods deepened the ongoing deterioration of the
its first century and a half. People of the twenty-first century 2 much
neighborhood.
to the planners, inventors, contractors, architects, and build of the
The Back Bay began to rebound in the early 1960s because more pro-
Back Bay neighborhood. The most ambitious landfill project ! urban
fessionals valued urban living and convenience to their jobs. At the same
development effort of the nineteenth century will long contir to en-
time, urban renewal in Boston sparked an interest in the city. The Vault,
hance Boston's living conditions and image.
an organization of business leaders, promoted redevelopment of the city
and helped bring in tax breaks for new construction projects.
The Back Bay benefited early and strongly from the growth of the "New
Boston" after profits from high-tech industries began to be invested
in
Boston. In 1965 a new office tower, modern apartments, and a convention
center were completed on the site of a large railroad-switching yard that
stretched from Boylston Street to Huntington Avenue. This Prudential
Center development was followed by construction of the Sheraton Hotel
and the John Hancock Tower by the early 1970s. Spurred by these im-
provements in the Back Bay, gentrification took hold gradually. Most of
the elegant Victorian residential buildings have been renovated to very
high standards. In recent decades, more and more professionals have
moved into the neighborhood and the comeback seems to be complete.
Looking into the future of the Back Bay, there is no end in sight for
the high demand and housing prices that have been in effect for some
time. Tourism, business travel, and small- to moderate-sized conferences
are expected to keep the neighborhood's hotels and restaurants busy.
Location is the key to value and success in real estate, and the Back Bay
has an ideal location. Since only limited land remains open for develop-
ment, future construction is likely on air rights over the Massachusetts
Turnpike and railroad both east of Copley Place and west of the Pruden-
tial Center. Older buildings of lower value will probably be razed from
time to time for new construction projects. Nearby universities are ex-
pected to continue to thrive and to have positive effects on the Back Bay.
The planning and confidence of the creators of the Back Bay have
generally stood the test of time. Attractive streets and architecture con-
tinue to shape the image of the neighborhood. The only remaining seri-
George Casper Homans. (1910-1989)
THE BACK BAY
Coming to my Senses.
Sociologists are preoccupied not only with class but with ethnic
differences. I was preoccupied with both long before I became a
New Brongwich, NJ:
sociologist. Perhaps more than any other American city, Boston had from
the beginning been divided by the irregularities of its hills and waterfront
Transaction, Inc., 1984.
into distinct neighborhoods or "urban villages." As the city expanded
with the great immigration of the nineteenth century, new people took
over the neighborhoods from those who had occupied them before, but
the neighborhoods themselves remained and even increased in number:
Beacon Hill, the Back Bay, the North, South, and West Ends, East and
South Boston, Charlestown, etc. Moreover ethnic differences had come in
to reinforce what I suspect had once chiefly been class differences
between the districts. The Irish Catholics had come to dominate Boston
politics, but they were by no means the only immigrants. I was born just
at the time the tide of immigration flowed strongest, and now it flowed
less from Ireland than from Italy and Russian Jewry. The sour smell of
Italian laborers filled the subways. The recent newcomers could speak
hardly any English, and they tended to settle near compatriots who
arrived earlier, protected by ward bosses for a price in votes. In short, the
"urban villages" tended also to become "ethnic islands."
The concentrations of the immigrants tended indirectly to encourage
the concentration of the descendants of the earlier arrivals. Thus the
Homanses lived in winter on an ethnic island, largely Yankee, which was
also a class island, largely Brahmin, This island consisted of two linked
parts: the "Hill," really the western slope of Beacon Hill leading up to the
State House, and the "Back Bay," the flatland to the westward.
The Hill had and still has great charm, with small, steep streets lined
with houses often of great distinction, since they were pre-Victorian.
Because we did not live on the Hill until late in my teens, my experience
of living on a class and ethnic island came first and most strongly from
my earlier life in various parts of the Back Bay. The Back Bay was so-
called because for the first two centuries of Boston's history it was "back,"
that is, westward, of the main part of the city, and a "bay" because it
consisted of salt marsh flooded at high tide.
13
14
Coming to My Senses
The Back Bay
15
As the city expanded in the middle of the nineteenth century,
matter of servants that the life I lived then differed most from the one I
speculators filled in the Back Bay and began to cover it with houses built
live now; though we children loved some of our maids, I am not sure that
on piles driven through the fill and mud. In my youth there were still a
the change has been for the worse.
few vacant lots, on which we played. Socially, the Back Bay was a
When we lived in the Back Bay, single families occupied almost all the
rectangle, bounded on the north by the Charles River Basin, on the south
houses. Many of the families, but not ours, also owned houses in the
by Boylston Street and the yards of the Boston and Albany Railroad, on
country, which they used in spring and fall, and all who possibly could
the east by the Public Garden, and on the west by the Fenway, originally
got away to the mountains or the sea for the summer. But they still spent
called the Muddy River. It was laid out in the conventional grid. The cross
the winter in Boston. The men walked downtown to work. The great
streets were alphabetized by naming them after British peerages-and
ladies-not my mother but, say, my Aunt Fanny Adams-were still
this was characteristic of the tone of upper-class Boston: Arlington,
driven to Tremont and Washington Streets in their Packards, Pierce-
Berkeley, Clarendon, etc. The great lengthwise street was Common-
Arrows, or Cadillacs by liveried chauffeurs, who waited while they did
wealth Avenue, which had a dual carriageway with a grass mall
in
their shopping.
between, shaded with great elms and studded with statues of American
The Back Bay was also what is now called an urban village. Not only
worthies, from George Washington on horseback looking down the mall
did single families occupy most of the houses but we knew many of
from the Public Garden in the east to a highly improbable Leif Ericsson at
them, not all of course but some in nearly every block. What is more,
the other end shading his eyes at the dazzling prospect of Vinland the
many of the families had known one another for generations. The surest
Good--in fact the Muddy River and the squalor of Kenmore Square.
sign of it was that, when I met some lady or gentleman hitherto unknown
Most of the houses of the Back Bay were built in the period 1850-1900,
to me, she or he would be sure to say: "George Homans? Oh, yes,
of
which, in spite of a number of interesting, indeed fantastic, variations,
course, you must be Abigail's [or Robert's] se and then go on to climb
gave them a certain consistency. Commonwealth Avenue might even be
down the family trees until the branches met in some common ancestor.
called distinguished. But in its cities New England never felt it ought to
Like class and ethnicity, I learned about extended kinship early. I never
show off, as New York or Washington did. None of the houses on
knew a time when I felt I was a social isolate, when I was not an insider,
Commonwealth Avenue, not even my Uncle Charlie Adams's, with its
when I had no social identity. My ethnic identity remained more
double staircase leading up to a piano nobile, ever seemed to me to count
precarious.
as a really great house, and most of the other houses in the Back Bay seem
Thanks largely to zoning laws, the exterior appearance of the Back Bay
today to have been positively mean or shoddy.1
today remains recognizably much as it was then. Physical decay has gone
Such was the house in which my family lived longest, at 289
only a little further. But otherwise it is a whited sepulcher; its social
Marlborough Street. It was very narrow and dark but still five-stories
interior has been gutted. The automobile has done its worst. Most of the
high, looking out in the rear over a squalid backyard and alley. On the
kind of families that then lived in the Back Bay have moved permanently
lower floors it was only one smallish room wide; on the upper ones two
to the country, and their members drive or commute to work. The houses
even smaller bedrooms could barely be cramped in. Narrow steep stairs
have been divided into rented flats or condominiums, often occupied by
led from one floor to the next. Characteristically the kitchen lay below the
the most transient of residents, such as students. My only hope is that the
ground level. If one went down there at night and turned the light on,
better sections of old Boston may be partly restored by the price of
swarms of cockroaches scuttled for safety. Here our long series of cooks
gasoline, which may bring some of the old types of resident back. This is
sweated over the black coal-range. From this hellhole our food was sent
the process now called by the nasty name of "gentrification."
up by a dumbwaiter, and supposed to stay warm, to the pantry next to
Since we knew many other families, our mothers dragged us to many
the dining room on the floor above. At the very top floor of the house,
parties, usually birthday parties, of our contemporaries, the boys in blue
crammed into their tiny cells, with no hot water, lived-if that is the right
serge suits topped by those choking, stiff, Eton collars that flared on top
word for their existence-our uniformly Irish maids. I can only hope that
of one's jacket, the girls, only a little less shy than ourselves, in black
their conditions were at least better than those they had known in
velvet dresses with blue sashes and lace collars. We played blindman's
Ireland. Including our cook, I think there were three of them. It is in the
buff, pinned the tail on the donkey, fished for presents-when much to
16
Coming to My Senses
The Back Bay
17
my mother's embarrassment I complained loudly if I did not get what I
christened there. This was King's Chapel in downtown Boston, just a
wanted. We slurped ice cream, always covered with spun sugar, snapped
short walk over Beacon Hill from the Back Bay. The only service we
our crackers, and put on our paper caps.
always went to was the so-called Children's Service on Easter afternoon,
But just as in Harlem today, we children played mostly in the streets. In
when the chancel was surrounded by flowers in pots, and at the end of
spring, when the ground dried, we played marbles on the miserable grass
the service each youngster got one to take home. For Easter we would all
plots in front of our houses. Our own became SO much a center of
of course wear our best clothes. I had to wear my strangulating Eton
congregation for the children of our block that all our grass, whose
collar. Father was very grand in a "cutaway" and a tali silk hat, carrying a
attachment to life was feeble at best, was killed. Later we played baseball
gold-headed cane.
in the middle of the street, cars still being few enough to make that
Outwardly King's Chapel is forbidding: square in body, with a squat,
possible. In winter the snow was not plowed but packed down, and we
square tower, built of big square blocks of stone almost black with the
amused ourselves by catching rides on the runners of the big horse-
grime of centuries. But its interior is ravishing in its Georgian elegance.
drawn sledges called pungs. At Halloween there was no damned
Many churches in London are graced with the same elegance, and King's
nonsense about "trick or treat," nor did our parents nervously shepherd
Chapel was modeled on them. It got its name because it was originally
us from door to door "trick-or-treating." Boys were expected to be
the church of the royal governor and garrison of the Province of
mischievous, though not vicious, and all we did was play tricks. There
Massachusetts Bay. Hence, unlike the other churches of colonial Boston,
was a method of folding a sheet of paper SO that it would briefly hold
which were of Puritan origin and thus what we should now call
water. From the roof of our house we would launch these "water-bombs"
Congregational, King's Chapel belonged to the Church of England. After
at passersby on the sidewalk below. In those days some men still wore,
General Washington drove the royal government and garrison out of
not for ceremonial occasions but for everyday use, tall silk hats, irre-
Boston, the church, while keeping its name, was taken over by one of the
verently called "plug" or "stovepipe" hats. One obviously scored 100 if
earliest Unitarian congregations in New England, SO that it rejected both
one hit one of these with a waterbomb. I never succeeded.
Episcopalianism and Congregationalism. King's Chapel was in my time
Like children and adolescents everywhere, we formed gangs, in theory
and still is Unitarian.
hostile to one another. We climbed along the rickety wooden fences
Our minister dressed in a black gown with white bands at the neck, SO
separating the backyards from the back alleys that ran parallel to, and
that he looked in the pulpit-I always hoped he would be crushed by the
between, the longitudinal streets of the Back Bay. We committed minor
great sounding board precariously suspended above it-as New England
delinquencies and talked big about committing major ones. But we did no
clergymen must have looked for many generations. But what he
damage to persons and little to property. We never got into trouble with
preached was certainly not Calvinism. Many jokes have been made about
the police, who were big, genial Irishmen, pounding their beats under tall
Unitarianism: that it believes in the Fatherhood of God and the Brother-
grey helmets modeled on those of London bobbies. My own gang was
hood of Man in the Neighborhood of Boston, and that it addresses its
the smallest in the neighborhood, and we crept about by stealth, as if we
prayers neither to God nor our Lord Jesus Christ (and certainly not to the
should be in danger when we ran into others. Thus we manufactured our
Blessed Virgin Mary) but rather "to whom it may concern."
own excitement, for if there had been a confrontation I doubt that we
To speak more seriously, I came in time to recognize that what our
should have had to take much more than verbal abuse. The boys and girls
minister preached was the gospel according to Ralph Waldo Emerson.
of the Back Bay were really very "nice" kids compared to some upper-
This gospel, if too optimistic, is at least concerned with the saving of
class WASP youngsters I met later. I do not mean that they were sissies,
souls. Should you doubt it, read the essay on self-reliance. Since then
but only that they were for the most part reasonably honest, fair, and
Unitarianism has become utterly sentimental, concerned not with the
generous. I cannot remember a single bully or son-of-a-bitch among
salvation of individuals but with the material needs of groups of one kind
them. My experience of such people was not to come from the Back Bay.
or another, as these needs are defined by well-meaning "liberal" out-
From the Back Bay we sallied forth occasionally to go to church.
siders. Of all types of religious belief-if indeed it be religious belief-
Neither of my parents was deeply religious, SO our churchgoing was far
this is the one, the religion of sentimental humanitarianism, that I now
from regular. My father went for largely sentimental reasons, for his
hold in the greatest contempt. For me Jesus Christ came into the world to
church was the one his family had attended in his youth. I myself was
save sinners not society. The only advantage of sentimental humanitaria-
18
Coming to My Senses
The Back Bay
19
nism is that any church adopting it as a doctrine is pretty sure to destroy
Though there were a few blacks in Boston, largely in the South End-
itself.
our much admired laundress was a black-they had been there for a long
For me, without yet knowing why, the service, the ritual, of the church
time and, though certainly not integrated, they had become an accepted
was much more important than the formal doctrine. A Unitarian
part of the community. The great immigration from the South had not yet
congregation is free to adopt any kind of service it likes. In practice,
begun, and I never came into contact with a black youth.
Sunday morning service in King's Chapel was the old Morning Prayer
of
We youngsters did not articulate the social ideas we learned in the
the Church of England, which derives from Cranmer's Prayer Book. The
Back Bay. Had we done so, they might have sounded something like this:
Unitarians made only a few changes, but these my father delighted in
"We are a group, the Yankees, and we are different from other ethnic
pointing out. "George," he would say, "it is just the Book of Common
groups. Not only are we different, we are better than the others,
Prayer with all references to the Trinity and to miserable sinners taken
especially in a lingering respect for intellectual attainments even on the
out. We Unitarians just cannot bring ourselves to admit we are miserable
part of those of us who have not acquired them. We are perhaps worse
sinners." I have since come to believe that some doctrine of original sin is
than other groups in our reluctance to fight. Yet is our betterness really
crucial to the survival of any religion, and that it would be well for
betterness when it has done us SO little good? We have lost political power
everyone, everywhere, to recite once a day the General Confession of the
in Boston and even our control of the State House is in jeopardy. It is only
Church of England, which puts the matter succinctly: "We have left
a question of time before we lose our other superiorities. Our financial
undone those things which we ought to have done; and we have done
power may be the last to go. Nor is it merely a question of our superiority:
those things which we ought not to have done; and there is no health in
our very identity is at stake. We are a great group with a great history, but
us." At King's Chapel we were at least not denied the glories of the Book
we are bound to disappear as surely as Cooper's Mohicans." We had also
of Common Prayer and the King James Bible. They have abided with me.
learned not to be quite so sentimental about the proletariat as some of our
From Boston's beginning the youths of the neighborhoods had fought
later, Marxist, friends affected to be. After all we had suffered at its
with one another whenever they found any ghost of a pretext. So it was
hands.
with us. Though the neighborhoods had distinct and recognized borders,
My later experience has reversed some of these inarticulate judgments.
there were places where the youngsters of the different groups came into
How could we have been SO worried? In a strange way we Yankees have
contact. When we Yankees coasted on the Common or skated on the
won, not lost, and won in a way I never conceived in my youth. Who
Basin or the pond of the Public Garden, we became conscious of other
would have believed then that parochial schools would be closing, not
youngsters of a decidedly rougher and, to us, nastier cast than our own,
opening, that the once-conquering Catholic Church would be hard put to
youngsters who found little trouble and much pleasure in pushing us
fill her seminaries, that her newer churches would look for all the world
around-though they never used knives as their successors might today.
like colonial meetinghouses, and that in them the priest would repeat the
They did not come from the Back Bay or the Hill, and we referred to them
Mass-which I bet will soon be called Holy Communion-in English
collectively as "muckers."
and facing the congregation? Of course it is our culture not our numbers
The muckers we came into closest contact with were not Irish but
that has won. It is not the old Yankee culture, but then that too had been
Italians from the neighborhood closest to us, that is, the West End-west
changing and was bound in any event to change further. Still, it is
a
in relation to old Boston but actually east of the Back Bay. Sometimes
descendant whose cultural genes have more Yankee in them than
groups of them invaded the Back Bay looking for trouble. One such
anything else. In the process much has been lost. For instance, the Irish
group, three in number, caught me alone in the dead end of a back alley
have given up their lovely brogue for the most nasal of Yankee dialects.
and beat me up to the extent of a couple of black eyes. Naturally I had
Perhaps all I am saying is that I should never have believed that we would
offered them no provocation, especially because I was both small and
all become so American, though our convergence still has far to go.
weak for my age. To them my appearance alone must have constituted
Perhaps we were even then more American than we thought. The
sufficient provocation. I expect they judged I was a sissy, whose relatively
Boston Brahmins believed they were different, especially in their intellec-
fancy clothes positively yearned for a fist. The West End as a well-
tual cultivation, and other Americans, while making fun of Brahmin
integrated Italian community has since been destroyed by one of the
pretensions, believed SO too. Yet when I compare my childhood with
earliest and worst examples of "urban renewal."
what I have read or been told about the childhoods of my contemporaries
to
19-22
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Title: THE FORGING OF A NEW UPPER CLASS AT BOSTON'S BACK BAY, 1850-1941
(MASSACHUSETTS, BRAHMINS)
Author(s): KAWASHIMA, KOHEI
Degree: PH.D.
Year: 1992
Pages: 00421
Institution: BROWN UNIVERSITY; 0024
Advisor: Adviser: HOWARD P. CHUDACOFF
Source: DAI, 53, no. 11A, (1992): 4057
Abstract: This study demonstrates that a new upper class emerged in Boston's Back Bay area toward the end of the nineteenth century.
The formation of this new class was based upon the union between descendants of the antebellum elite group, the so-called
"Brahmins," and nouveau-riche industrialists and professionals who rose to power and eminence during the Gilded Age. These
two groups not only lived in the same neighborhood, but also formally and informally interacted with each other through various
forms of networks, including correspondence, club and church membership, professions, and marriage. As a result of these
multi-layered interactions, Boston elites in the Back Bay came to hold distinct images and perceptions of their residential area
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and themselves. These developments underlay the formation of the Back Bay upper class.
This study's particular contribution to American historical scholarship lies at least in the following two points. First, it provides a
new perspective in looking at the fortune of Boston elites between 1870 and 1930, Opposing recent Brahmin scholars'
interpretation of this period as the Brahmins' "twilight," my study argues that the Brahmins' encounter with newcomers
produced a much more positive and creative movement. Second, this study focuses on human interactions in the fashionable
neighborhood an aspect which preceding studies of the Back Bay have rarely explored.
Sources for my study include Back Bay residents' journals, letters, published works, and statistical information deriving from
the Boston Blue Book, Social Register, City Directories, and others. Computer software Excel and HyperCard are used for
drawing 46 tables, 7 maps, and 33 charts.
SUBJECT(S)
Descriptor: HISTORY, UNITED STATES
SOCIOLOGY, SOCIAL STRUCTURE AND DEVELOPMENT
Accession No: AAG9308830
Database: Dissertations
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Allan Gapler, "Building Boston's Back Bay: Marriage of Money and Hygiene" Historical
Journal of Massachusetts Volume 23, No. 1 (Winter 1995): 61-78,
Building Boston's Back Bay:
Marriage of Money and Hygiene
Allan S. Galper
The filling of the Back Bay in Boston was perhaps the
1
greatest achievement in American city planning in the nineteenth
century. The residential area created by this ambitious urban
design project boasts the most complete display of American
architecture from the second half of the nineteenth century that
still stands today.2 2 Much can be learned not only from the
district's architecture but from the way in which the waters of the
Back Bay were transformed into lots of solid land suitable for
houses. Despite some setbacks, this process was a paradigm of
joint civic effort on the parts of the state, the city, and private
interests. Although the unifying factor may have been
maximization of financial profits, a sincere desire to improve the
physical and intellectual health of the city brought these disparate
interests together as well. These motives dictated a very specific
type of plan, which was accompanied by a particular form of
1. Bainbridge Bunting, Houses of Boston's Back Bay: An Architectural History,
1840-1917 (Cambridge, 1967), p. 2; Bainbridge Bunting, "The Plan of the Back
Bay Area in Boston," Journal of the Society of Architectural Historians, XIII
(1954): 19-24; Lewis Mumford, Back Bay Boston: The City as a Work of Art
(Boston, 1969), pp. 18-35.
2. Walter Muir Whitehill, Boaton: A Topographical History (Cambridge, 1968), p.
235.
- 61 -
62
Historical Journal of Massachusetts, Winter, 1995
architecture. The French influence which is apparent in both of
these aspects of the Back Bay construction reflects the transition
then taking place in Boston, as the city began to follow the
Parisian model of planning and design, with hopes of becoming
the cultural center of the United States, and one of the greatest
cities in the world.
Before the turn of the nineteenth century, Boston was
nothing more than the Shawmut Peninsula, consisting of 783 acres
(about one square mile), and prevented from being an island only
by the Neck, a narrow isthmus of land that connected the town to
the Roxbury mainland. 3
Numbering only 18,320 in 1790, the people of Boston did
not even inhabit most of the land in their possession, 4 but this
quickly changed. The year 1800 saw the beginning of the
encroachment of land upon water, or what Walter Muir Whitehill
calls "Cutting Down the Hills to Fill the Coves," the great chapter
of Boston history that continues to this day.5 The three hills of
the Trimountain, or Tremont, of which only Beacon Hill partly
remains today, were carted away to fill in the coves and inlets
created by the irregularly-shaped Charles River and Boston
Harbor. Starting in 1807, the Mill Pond, originally created by
damming the North Cove in 1643 to generate water-power for
local mills, was filled in.° This process would lead to an even
greater undertaking destined to transform the city of Boston.
In 1814, the Boston and Roxbury Mill Corporation
decided to construct a granite-faced earthen dam, fifty feet wide
and one and a half miles long, from the western corner of the
Common to the eastern shore of Brookline, at what was called
Sewall's Point (now the site of Kenmore Square). 7 The original
3. Whitehill, Boston: A Topographical History, p. 5; Bunting, Houses of Boston's
Back Bay, p. 22; Bunting, "Plan of the Back Bay Area in Boston," p. 19; Mumford,
Back Bay Boston, p. 18. The Neck was only 1,000 feet wide at low tide, but it was
almost inundated at extreme high tide. See Bunting, Houses of Boston's Back Bay,
p. 466 (fn. 19).
4. Whitehill, Boston: A Topographical History, p. 71; Bunting, Houses of Boston's
Back Bay, pp. 22-23.
5. Whitehill, Boston: A Topographical History, chapter four.
6. Ibid., p. 79.
7. Whitehill, Boston: A Topographical History, p. 90; Bunting, Houses of Boston's
Back Bay, p. 33; Bunting, "Plan of the Back Bay Area in Boston," p. 19.
Building Boston's Back Bay
63
charter allows the corporation to maintain the dam forever,
construct a toll road on top of it, and build any necessary
structures on or near it. 8 So began the filling in of the Back Bay.
A dam was then constructed across Gravelly Point, in Roxbury,
joining the mill dam and thus dividing the now-enclosed waters of
the Back Bay into two basins. The smaller full basin would collect
the tidal flow of the Charles River and then direct the water past
the mills constructed on the promontory and into the receiving
basin, from where the water would be released back into the
Charles River. 10
health
By the 1840s, the dams on the Charleshad-created
a
serious health hazard. The ebb and flow of the tidal flats left the
sewage that was dumped in the basins exposed to the sun and
open air. In addition, the Mill Corporation's project did not prove
to be as lucrative as originally expected. Textile mills along the
Merrimack River and the advent of the steam engine made the
Gravelly Point Mills obsolete, and in 1834 the water-power of the
incoming tide was greatly diminished by the construction of two
sets of embankments and trestles in the shape of a St. Andrew's
cross that accommodated the booming railroad traffic that
traversed the Back Bay. 11 Thus, in 1850, the state appointed three
commissioners to "consider what measures can be taken for the
improvement of the said flats or land, so as to make them most
valuable to all parties interested therein.' A new use for
the
Back Bay was about to be initiated.
Many factors pointed to filling in the Back Bay as the
wisest solution. Boston experienced a tremendous population
explosion in the first half of the nineteenth century. From a small
8. "Final Report of the Commissioners appointed under the Resolves concerning
Boston Harbor and Back Bay, approved May third, 1850," Mass. Senate Document
No. 45 (1852), pp. 5-9, cited henceforth as Senate Document No. 45 (1852).
9. Although Whitehill, Boston: A Topographical History, p. 55, does recount the
filling in of marshy flats to erect buildings for ropewalks at the western edge of the
Common, in 1794, the Mill Dam construction represents the first significant
encroachment of land upon water in the Back Bay.
10. Whitehill, Boston: A Topographical History, p. 92; Bunting, Houses of Boston's
Back Bay, p. 33.
11. Whitehill, Boston: A Topographical History, pp. 100-102; Bunting, Houses of
Boston's Back Bay, p. 33; Bunting, "Plan of the Back Bay Area in Boston," p. 19.
12. Resolves of the Mass. Senate, Chapter 111, 1850.
64
Historical Journal of Massachusetts, Winter, 1995
seaport of 24,397 in 1800, and 58,277 in 1825, it grew to become
a crowded city of 136,881 by 1850, and 161,429 by 1855. 13 Thus,
by mid-century, new space for a residential area was in high
demand, but, with the build-up of the Louisburg Square area in
the 1840s, all of the peninsula's existing land had been developed.
A middle-class migration to the suburbs, or even to the new South
End, was impractical, due to the slow transportation of the
times.14 Therefore, the Commissioners on Boston Harbor and the
Back Bay reported that the "great demand for dwelling-houses in
the city of Boston renders the present a favorable time to
commence the filling up and sale of [Back Bay] lands. 15 A filled
Back Bay, where houses could be built close to the center of
Boston, would satisfy the growing need for a new residential area.
design
LA factor which made the filling of the Back Bay a matter
of even greater urgency was the extent to which by mid-century
the area had become a health menace In 1849, the Boston Board
of Health demanded the filling of the area, and the extent of the
problem is starkly revealed by the testimony from 1850:
The Back Bay at this hour is nothing less than a
great cesspool, into which is daily deposited all the
filth of a large and constantly increasing
population. And it is a cesspool of the worst kind,
contrived, as it were, for the purpose of
contamination, and not of relief; for it is an open
one, and therefore exposed continually to the action
of the sun and weather, and every west wind sends
its pestilential exhalations across the entire city. A
greenish scum, many yards wide, stretches along
the shores of the basin, as far as the Western
Avenue, whilst the surface of the water beyond is
seen bubbling, like a cauldron, with the noxious
13. Walter H. Kilham, Boston After Bulfinch: An Account of its Architecture,
1800-1900 (Cambridge, 1946), p. 57; Walter Muir Whitehill, in Lewis Mumford
and Walter Muir Whitehill, Back Bay Boston: The City as a Work of Art (Boston,
1969), pp. 86-91; Bunting, Houses of Boston's Back Bay, p. 9.
14. Mumford, Back Bay Boston, p. 23; Bunting, Houses of Boston's Back Bay, p. 362.
Bunting points out that the new horsecar, which was relatively slow, did not
arrive in Boston until 1853.
15. "Fourth Annual Report of the Commissioners on Boston Harbor and the Back
Bay," Mass. Senate Document. No. 16, 1856, p. 2.
Building Boston's Back Bay
65
gases that are exploding from the corrupting mass
below. 16
Health reasons were therefore a major factor contributing to the
decision to fill the Back Bay.
However, the greatest incentive of all seems to have been
the money-making potential in filling the Back Bay. All of the
interested parties stood to gain from the conversion of useless
water to saleable land. Even the Mill Corporation, which had
originally dammed the bay in order to profit from its tides, now
saw the greater rewards in filling in the area. Indeed, previous
land fillings in the city, such as the creation of the new South End
in the first half of the century, had reaped significant financial
benefits. 17 Thus, the commissioners reported in 1852 that the
current use of the Mill Dam was "in conflict with more important
interests, public and private. #18 It was clear that few opposed the
idea of filling in the Back Bay, and many supported the proposal,
particularly due to the possibility for profit that the project
generated.
Moreover, it should be noted that Boston now possessed
the capital necessary for a project of such a grand scale. Its
already bustling maritime industry greatly expanded in the first
half of the nineteenth century, as evidenced both by its traffic of
tonnage and passengers. 19 Much of this increased capital was
invested in Boston's growing railroad concerns, and it was this
new industry more than any other that transformed the city into a
thriving metropolis. Boston was ready to show that it was no
longer a provincial New England town, and the creation of the
Back Bay was intended to achieve that goal.
16. Excerpts from health reports in appendix of "Report of the Committee on the
Petition of David Sears and Others in Respect to the Drainage of the Back Bay,"
City of Boston Document No. 14 (1850), pp. 10-12.
17. Bunting, Houses of Boston's Back Bay, p. 363; Kilham, Boston After Bulfinch, p.
62.
18. Senate Document No. 45 (1852), p. 15.
19. Mumford, Back Bay Boston, p. 18; Whitehill, Boston: A Topographical History, p.
86; Bunting, Houses of Boston's Back Bay, pp. 10-11. Bunting lists Suffolk
County's manufacturing output at $6,500,000 in 1800. It had quadrupled by
1840, and soared another fifty percent in 1850, to a total of $45,000,000.
66
Historical Journal of Massachusetts, Winter, 1995
The
major factor that led to the monumental and
uniform character of the Back Bay as it appears today was the
State's decision to consolidate its hold on the project, while
working with and not against the other owners of land in the Back
Bay region. Citing a colontal ordinance from 1641, the state
commissioners claimed that any property "below the ordinary line
of riparian ownership belongs to the state in fee. #20 This meant
that any land at the low-tide mark (or one hundred rods below the
high-water mark) fell under the jurisdiction of the state. As most
of the Back Bay was considerably deeper than this, the state laid
claim to much of the area in question. To settle disputing claims
by others, the Tripartite Agreement of 1856 was worked out
between the Commonwealth of Massachusetts, the City of Boston,
and the Boston and Roxbury Mill Corporation, the principal land
owner. 21 Although the Commonwealth had to grant certain tracts
of land to the city, and especially to the Mill Corporation, in
order to insure compliance with its planning guidelines, the result
would be a civic project of impressive uniformity, as private
interests would have to "conform to a plan of streets required by
the state commissioners. #22 At last, filling was scheduled to begin
in September of 1857.
Having already built on the hills that remained in Boston,
the state was forced to look beyond the city limits to find fill for
its Back Bay operation. With the advent of the steam shovel and
the railroad, it was possible to bring earth from the sand-hills and
gravel pits of Needham, nine miles to the west. 23 Twenty-five
times in twenty-four hours, trains of thirty-five cars from the
Charles River Railroad Company would make their way across the
flats, depositing fill to a depth of twenty feet, and eventually
creating 580 acres of land in a little over thirty years. The fill
20. Senate Document No. 45 (1852), p. 4; "Report of the Committee Appointed under
the Resolves of 1856, chapter 76, in Relation to Lands in the Back Bay, with
accompanying documents. Also, the Fifth Annual Report of the Commissioners
on the Back Bay," Mass. Senate Document No. 17 (1857), cited henceforth as
"Lands in Back Bay."
21. Whitehill, Boston: A Topographical History, p. 151; Bunting, Houses of Boston's
Back Bay, pp. 44 and 364; Bunting, "Plan of the Back Bay Area in Boston," p. 20.
22. "Lands in Back Bay," P. 3.
23. "Ballou's Pictorial," May 21, 1859, quoted in Whitehill, Boston: A Topographical
History, pp. 152-154; Bunting, Houses of Boston's Back Bay, pp. 365-366.
Building Boston's Back Bay
67
had reached Clarendon Street by 1860, Exeter Street by 1870, and
Kenmore Square by 1890. 24 The district defined as the residential
Back Bay in this article had taken shape by 1880; that area
bounded by the Public Garden in the east. the Charles River in
the north, Olmsted's Fenway Park in the west, and the train tracks
of the Boston and Albany Railroad in the south. 25 This region's
final layout was shaped by the two main concerns which had
inspired filling the bay in the first place - its money-making
potential and its nuisance as a health hazard.
Motivated by a desire to maximize financial profits, the
Commonwealth adopted a plan that divided the newly-created
land into as many house lots as possible. This emphasis is evident
from the very beginning, when the commissioners advised that
just as state lands in Maine had been sold for a profit, money
could be made from Commonwealth property "now lying under
water. #26 Additionally, such restrictions as the one which did not
allow more than one-third of the new land to be set aside for
public use, exemplified the attitude taken towards the Back Bay as
a money-making matter. 27 It is also interesting to note that many
of the design proposals that the Commonwealth rejected
recommended keeping significant portions of the Back Bay under
water, and had failed to maximize the number of lots that could
be sold for a profit. 28
24. Whitehill, Boston: A Topographical History, p. 158; Bunting, Houses of Boston's
Back Bay, pp. 366-367; Bunting, "Plan of the Back Bay Area in Boston," p. 20;
Mumford, Back Bay Boston, p. 23. A set of fifteen blueprints preserved in the
Boston Public Library and prepared by Fuller and Whitney, Back Bay engineers,
shows the development of the Back Bay fill at ten year intervals, from 1814 to
1881.
25. Whitehill, Boston: A Topographical History, P. 159; Bunting, "Plan of the Back
Bay Area in Boston," p. 21; Mumford, Back Bay Boston, p. 19.
26. "Lands in Back Bay," p. 3.
27. "First Report of the Commissioners on Boston Harbor and the Back Bay, under
Resolves of 1852, chapter 79," Mass. Senate Document No. 62 (1855).
28. Bunting, Houses of Boston's Back Bay, pp. 387 and 389. Robert Gourlay's plan,
which only minimally filled in the Bay for dwelling houses, is discussed in
Whitehill, Boston: A Topographical History, pp. 146-149. For David Sears' plan,
which included a 75 acre lake, see Whitehill, pp. 149-150. George Snelling's 1859
proposal, including a basin of water 700 feet wide as a substitute for
Commonwealth Avenue, is described by Whitehill, p. 156.
68
Historical Journal of Massachusetts, Winter, 1995
In the early stages of the Back Bay development, the
form of building construction - tall, narrow, and flat-faced -
was a product of the central capitalizing goal described above.
Back Bay lots were widened only after 1860, when the district had
already been established as a fashionable neighborhood and
developers knew that their land would draw high bids at the
public auctions. 29 The financial rewards were indeed significant.
The sale of filled lands from 1860 to 1879 alone, brought the
Commonwealth a net profit of $3,442,205. Private landowners
reaped tremendous benefits as well. Bainbridge Bunting's account
of a lot at the corner of Commonwealth Avenue and Arlington
Street, where the land and building values increased 665 and 243
percent respectively between 1858 and 1910, is illustrative of the
great wealth enjoyed by those who invested in the new region.
30
A second factor, however, seems to have worked against
this money-making goal. Because the Back Bay had become so
harmful to the city's residents, the authorities wanted the new
land to insure the good health of the people - both physically
(with broad avenues and green spaces) and intellectually (with
cultural and academic institutions). This attitude was evident in
the earliest discussions of a new layout for the Back Bay. For
example, in 1852, the commissioners reported that the receiving
basin should be filled so "as to secure upon the premises a healthy
and thrifty population and business
forever to prevent this
territory from becoming the abode of filth and disease. "31
This
was certainly a reaction to the unsanitary conditions that had
previously prevailed there. Similarly, three years later, a Back
Bay commission was instructed to "enhance the value of the
Commonwealth's lands as may be needful to prevent that vast
level area from becoming hereafter the seat of narrow and filthy
streets and of an overcrowded population. 32 This commitment to
never allow the new Back Bay to return to its previous state of
29. Bunting, Houses of Boston's Back Bay, pp. 93-95; Bunting, "Plan of the Back Bay
Area in Boston," p. 24, in. 11.
30. Bunting, Houses of Boston's Back Bay, pp. 368-370.
31. Senate Document No. 45 (1852), p. 17.
32. "Second Annual Report of the Commissioners on Boston Harbor and the Back
Bay, under Resolves of 1852, chapter 79," Mass. Senate Document No. 62 (1855),
pp. 23-24.
Building Boston's Back Bay
69
unhealthiness produced an urban space dedicated to the well-being
of the people.
This conviction was so strong as to warrant significant
financial sacrifices on the part of the Commonwealth. Of the
lands filled in eight percent Xwhich would have given the state an
additional $833,500 had they been sold as private lots) were given
to public institutions, and forty-three percent were devoted to
streets and parks. 33 Indeed, in 1857, after hearing the testimony
of Arthur Gilman (who is credited with developing the plan that
was later adopted), the commission decided to increase the width
of the central avenue (now known as Commonwealth Avenue)
from 120 to 200 feet, with houses set back twenty feet on each
side, creating an impressive and monumental promenade. 34 To
insure that private landowners complied with this plan, the state
had to grant twelve acres of its property in the Full Basin to the
Boston Water-Power Company, a subsidiary of the Mill
Corporation.
35 This financial sacrifice was also motivated by
"health" reasons, as this new thoroughfare would have in its center
"three or four continuous rows of trees
ample for walks and
seats secure from the interference of carriages
and would
confer a lasting and permanent benefit upon the public by
providing a broad and ornamental avenue connecting the Common
and public garden in Boston with the picturesque and pleasing
suburban territory. *36 Using the Back Bay development to
improve the health of the city environment was ever a key
objective of the rejected proposals of Gourlay, Sears, and Snelling,
who stressed the salubrious effect of air that passes over open
waters. 37
The Commonwealth wished to use the Back Bay project
to improve the intellectual welfare of the people as well. From
the beginning, money received from the sale of Back Bay lands
was deposited into the Bay Lands Fund. Half was used to
maintain the newly-created state property, while the other half
33. Bunting, Houses of Boston's Back Bay, pp. 64 and 368; and Bunting, "Plan of the
Back Bay Area in Boston," pp. 22 and 24 (fn. 9).
34. "Lands in Back Bay," p. 13.
36. Ibid., p. 15.
36. Ibid., pp. 13-14.
37. See fn. 28 above.
70
Historical Journal of Massachusetts, Winter, 1995
was parcelled out to the following academic institutions: fifty
percent was put into the Massachusetts School Fund, twenty
percent was given to Harvard's Museum of Comparative Zoology,
twelve percent was donated to Tufts College, and the remaining
eighteen percent was divided equally among Williams College,
Amherst College, and Wesleyan Academy in Wilbraham. 38 'As a
prerequisite for receiving these contributions, the state required
most of these schools to provide scholarships for students. Thus,
in a very direct way, the filling of the Back Bay worked to insure
the health of the population's mind.
This goal was fulfilled on an even larger scale by the
establishment of the Back Bay as the cultural center of the city,
especially though the creation of Copley Square. First, in 1861,
the state granted a block of land on Berkeley Street to two
institutions: the Boston Society of Natural History, which soon
thereafter built a three-story museum that now houses Bonwit
Teller's clothing store, and the then-recently incorporated
Massachusetts Institute of Technology, which erected the Rogers
Building on the remainder of the block. 39 Private interests took
the state's lead, and in 1870 the Boston Water-Power Company
granted a plot of land to the Museum of Fine Arts, at the corner
of Dartmouth Street and St. James Avenue. This Victorian Gothic
building was soon (in 1877) flanked by H. H. Richardson's Trinity
Church on one side, and (in 1895) by McKim, Mead and White's
Public Library on the other. This handsome public space, known
first as Art Square, then Copley Square, had become the religious
and intellectual center of Boston. With the additional presence of
the Boston Symphony Orchestra and the Harvard Medical School
in the area, and the migration of more than ten church
congregations from downtown Boston to the Back Bay by the end
of the century, the new district had done everything to physically,
intellectually, and spiritually insure that it would never harm its
residents' health again. 40
However, the incomplete nature of Copley Square and
the abandonment of other park ideas for the area suggest that the
38. Acts and Resolves of Massachusetts, chapter 154 (1859).
39. Whitehill, Boston: A Topographical History, p. 169; Whitehill, Back Bay Boston,
pp. 87-88.
40. Whitehill, Boston: A Topographical History, pp. 164-169; Whitehill, Back Bay
Boston, p. 87.
Building Boston's Back Bay
71
money-making incentive to use as much of the new land as
possible for house lots may have superseded the Commonwealth's
commitment to construct a healthful environment. Indeed, a plan
for the Back Bay area in 1861 shows three squares of land set
aside to be green parks. None of these plots were used for this
original purpose. The first, situated at the north end of Exeter
Street, facing the Charles River, was to remain open to the water,
but it must have been eliminated in 1870 when Exeter Street was
narrowed to compensate the Commonwealth for salable land lost
due to the widening of Dartmouth Street. 41 The second plot,
along Berkeley Street, became a museum and school, and the third
square, St. James Park, was allocated to the Museum of Fine
Arts. 42
It was then only an accident that Copley Square
developed into a public space. Originally slated for development
like any other part of the Back Bay, it haphazardly took shape due
to the presence of Huntington Avenue, which awkwardly jutted
out at an angle in relation to the surrounding grid of streets. The
two triangular plots of land created on either side of this wide
avenue were bought by the city and left open as public spaces, in
1883 and 1885. 43 Proposals were submitted in an attempt to solve
the oddity of a main street diagonally bisecting a public park, and
it took until 1969 to finally "square" up the area. 44 This
irresponsible planning on the part of the Commonwealth led to an
urban space that was unable to realize its potential monumentality,
a problem that still has repercussions today, as the weak north side
of commonplace stores and office buildings fails to sufficiently
pull together the four sides of Copley Square. 45
The money-making incentive seems to have overridden
the desire for a healthy environment to such an extent that even
the decision to appropriate land for public use may have been
backed by a quest for financial gains. For example, the state
41. Bunting, Houses of Boston's Back Bay, p. 380.
42. Ibid., p. 378.
43. Whitehill, Boston: A Topographical History, pp. 171-172; Kilham, Boston After
Bulfinch, p. 62; Mumford, Back Bay Boston, p. 58.
44. Mumford, Back Bay Boston, pp. 142-145.
45. Henry-Russell Hitchcock, Boston Architecture, 1637-1954 (New York, 1954), p.
17.
72
Historical Journal of Massachusetts, Winter, 1995
commissioners reported in 1863 that the land on Newbury Street
opposite the block granted to the Museum of Natural History and
the Massachusetts Institute of Technology had doubled in value. 46
The Boston Water-Power Company's donation of land to the
Museum of Fine Arts in 1870 may therefore have been motivated
more by commercial than cultural concerns. Additionally, the
plan for broad and monumental streets may just have been a ploy
to maximize profits, as land values were significantly higher along
Commonwealth Avenue than on the narrower streets parallel to
it. 47 These conflicting factors produced a paradoxical attitude that
was present from the start, as the committee appointed in 1856
reported that it is a "matter of utmost moment that a good system
of streets, avenues, and public squares shall be adopted in order to
make the territory as attractive as possible, and induce persons
about to build houses to select lots in this locality. n48 Whether or
not the profit-making goal was more of a determining factor than
the quest for a healthy environment, the Back Bay's public lands
were adversely affected.
The significance with which planners viewed the new
Back Bay is evident from the French-inspired-desig they chose
for the area, and the French style of architecture that became
prevalent in the district's formative years of development. The
Back Bay represents a distinct break from Boston's previous civic
projects which had always followed the English model. Beginning
with Charles Bulfinch's Tontine Crescent on Franklin Street in
1793, and continuing with Pemberton Square in 1826, Louisburg
Square in 1835, and finally the New South End in 1853. the
Boston planning tradition was rooted in Georgian London. A
49
rigid gridiron plan of streets, with no clear focus, and occasional
isolated parks encircled by houses, characterized these plans. The
46. Bunting, Houses of Boston's Back Bay, p. 394; Bunting, "Plan of the Back Bay
Area in Boston," p. 22.
47. Bunting, "Plan of the Back Bay Area in Boston," p. 24, fn. 11. The Eighth
Annual Report of the Harbor and Land Commission (1886) states that at the
private auctions conducted by the Commonwealth between 1860 and 1879, the
minimum prices were fixed at $1.37 per square foot on Marlborough and Newbury
Streets, and $2.25 on Commonwealth Avenue.
48. "Lands in Back Bay," p. 12.
49. Bunting, Houses of Boston's Back Bay, pp. 65-67; Bunting, "Plan of the Back Bay
Area in Boston," pp. 23-24.
Building Boston's Back Bay
73
French-inspired design for the Back Bay embodied a very
different set of stylistic principles. Boston employed the Parisian
model with hopes of becoming the cultural center of the United
States, if not of the world.
To this end, the commissioners accepted the plan that
architect Arthur Gilman submitted in 1856. The proposal's broad
streets, axial quality, and park-like Commonwealth Avenue were
strikingly similar to the monumental Parisian boulevards
constructed by Baron George Haussmann between 1853 and
1869.50 50 This type of design views streets as great outdoor
corridors lined by walls of harmonious buildings, focusing the
pedestrian's gaze and creating an impressive urban space (see
figure one, below).
11.7
Figure One
By adopting this plan, the Back Bay planners wished to elevate
Boston to the level of the great cities of the world, as can be seen
from the following proposal, referring to Commonwealth Avenues
50. Bunting, Houses of Boston's Back Bay, pp. 15, 67-68; Bunting, "Plan of the Back
Bay Area in Boston," p. 24; Mumford, Back Bay Boston, p. 19; Whitehill, Boston:
A Topographical History, p. 86.
74
Historical Journal of Massachusetts, Winter, 1995
It is believed that an ornamental avenue of this
character, of equal length and width, with stately
dwelling-houses upon each side, connecting the
public parks in the center of a busy city with the
attractive and quiet, although populous country in
the neighborhood, is a thing not possible of
construction elsewhere in the world; and those
places where something of the same kind already
exists, have been rendered famous in
consequence. 51
This subtle yet apparent reference to Paris at the end of the
commissioners' statement is indicative of the Commonwealth's
desire to use the Back Bay and its French plan, to create a new
Boston that would be a center of higher civilization.
Figure Two
It should be noted, however, that the use of a French
blueprint was not a completely new phenomenon for the planners
in 1856. Roots of this type of layout for the Back Bay can be
traced as far back as 1824, when a proposal for development of
the area depicting wide tree-lined avenues was published in a
local history book. 52 Additionally, a final attempt by the city of
Boston to sell the lands of the Public Garden in 1850 shows the
area divided into house lots, with three new streets between
Beacon and Boylston that greatly resemble Marlborough Street,
51. "Lands in Back Bay," p. 15.
52. Whitehill, Boston: A Topographical History, pp. 142-145.
Building Boston's Back Bay
75
Commonwealth Avenue, and Newbury Street. 53 Other proposals,
such as that of David Sears, which was discussed earlier, include
plans for an impressive central boulevard that predate Gilman's
idea for Commonwealth Avenue. Thus, although a good deal of
French influence is evident in the plan adopted for the Back Bay,
its impact on the project was evident even before Napoleon III
began his vast civic improvements.
Boston's desire to reach new heights, and its hope to do
so by adopting Parisian styles, is not only evident from the design
of the Back Bay, but from other civic developments occurring in
mid-nineteenth century Boston as well. The fact that many
buildings are said to have burned in the great fire of November 9,
1872 due to the prevalence of wooden mansard roofs, indicates the
extensive use of French styles in buildings at the time. 54 The first
edifice in Boston to have a mansard roof was the Deacon mansion,
built on Washington Street in 1848 from designs by a Paris
architect. 55 A dozen years later, the most important public
buildings had been embellished with French designs. The new
City Hall on School Street and the Post Office building on Milk
Street, both built around 1862, displayed column pavilions of
superimposed orders much like those in the Tuileries and the new
Louvre, in Paris. 56 Additionally, in his competition drawings for
the Free City Hospital, built in the French manner in 1861, the
Boston architect Gridley J. F. Bryant explained that he had chosen
"the modern style of Renaissance architecture," since it "stands
confessedly at the head of all the forms of modern secular
architecture in the chief capitals of the world. #57 This use of the
French style to transform Boston into one of the great cities of the
world was certainly adopted by Arthur Gilman as well,
53. "Report of the Joint Committee on Public Lands in relation to the Public Garden,
July 1850." Between Beacon and Boylaton, the plan depicts two parallel streets
100 feet wide, and one central avenue, divided into a double street, with each part
fifty feet wide, with a seventy-five foot wide park down the middle, containing a
fountain and trees.
54. Kilham, Boston After Bulfinch, p. 72.
55. Bunting, Houses of Boston's Back Bay, pp. 79-80; Kilham, Boston After Bulfinch,
p. 65.
56. Kilham, Boston After Bulfinch, pp. 65 and 68.
57. Bunting, Houses of Boston's Back Bay, p. 64.
76
Historical Journal of Massachusetts, Winter, 1995
mastermind of the Back Bay's plan and architect for the French
designs of the new City Hall and the Boston Equitable Building,
which was constructed on Milk Street in 1872 (see figure two, on
page 74). 58
The artistic and cultural connections between Boston and
Paris are even more evident in a number of other ways. Students
of architecture frequently travelled from Boston to study in Paris,
a trend begun by Henry Hobson Richardson, who entered an
atelier at the Ecole des Beaux Arts after graduating from Harvard
in 1860. 59 It is even more telling that Boston architect William
Ware, when asked in 1865 to head the first architectural school in
the United States, at the Massachusetts Institute of Technology,
brought Eugene Letang from the Ecole des Beaux Arts to teach
architectural design. 60 The significance that Boston placed upon
the French style can also be seen from the fact that Ware's
partner, Henry van Brunt, translated the Discourses by Viollet-le-
Duc between 1863 and 1872. Additionally, French painting was
collected, taught, and popularized in Boston, in part due to the
presence of William Morris Hunt, who frequently visited the city
after 1856 and took up permanent residence there in 1862. 61 The
Back Bay was thus only one example, albeit a grand example, of
the many French artistic influences that Bostonians adopted in an
attempt to establish their city as one of the cultural centers of the
world.
The plan of the Back Bay demanded a very specific type
of
architecture. Although Bainbridge Bunting identifies many
influences in Back Bay building - from Ruskinian Gothic to
Queen Anne to the Romanesque - he shows that early buildings,
from 1857 to 1869. were consistently of a French type, a design
Bunting terms the "French Academic. #62 This style of architecture
is characterized by several features. 63 The most obvious of these
58. Kilham, Boston After Bulfinch, p. 69.
59. Bunting, Houses of Boston's Back Bay, p. 76.
60. Ibid., p. 78; Kilham, Boston After Bulfinch, p. 79.
61. Bunting, Houses of Boston's Back Bay, pp. 81-82.
62. Ibid., chapters six and seven. For the French influence, see chapter five. The
later styles are discussed in chapters six and seven.
63. Ibid., pp. 87-91.
Building Boston's Back Bay
77
is the mansard roof, first appearing at 122 Beacon Street in 1857.
Another requirement of this style is a symmetrically organized
facade. The ornamentation on this facade is distributed around
areas of structural importance, such as door and window openings,
on the main cornice, on levels of the various floors, and on the
basement, and is therefore architectonic in nature. The main
entrance is usually protected by a porch or vestibule and flanked
by classical post and lintel forms, or freestanding columns. The
treatment of windows was also distinctly different from the
Boston tradition, as unaccented_opening flush with the facade
and framed by outside shutters, gave way to windows set off from
the plane of the building by Renaissance-style stonework. Indeed,
the French influence on the Back Bay's early architecture can
most directly be seen in the facade of 22-30 Marlborough St.,
built in 1863. The uniformity of arches, fenestration. and cornice
height is incredibly reminiscent of contemporary work outside
Paris, at the Hospice des Incurables of Ivry, designed by Theodore
Labrouste between 1862 and 1865.6 64 The architectural trends in
the first dozen years of Back Bay development were thus rooted in
mid-nineteenth century French designs and motifs.
The "French Academic" was the style most compatible
with the Gilman plan for the Back Bay. By creating harmonious
blocks of buildings, this architectural style places less emphasis on
the individual houses, and sees them instead as mere walls of the
more emphasized street-corridor. The uniformity desired for such
an environment was mainly created by maintaining consecutive
cornice and roof heights. A prime example is a Beacon Street
block of twenty-seven houses built over a period of seven years,
where the cornice line changes but four times. 65 Other ways of
establishing uniformity were through the use of either an identical
or integrated design for a group of consecutive buildings, building
in pairs, and maintaining symmetrical facades, even in narrow
lots.66 This view of the house as but one component of the
greater streetscape emphasizes the manner in which the
architecture of the Back Bay was greatly molded by the district's
urban design. Even the buildings' interior plans, shaped by the
64. Ibid., pp. 82-85.
65. Ibid., p. 95.
66. Ibid., pp. 96-113.
78
Historical Journal of Massachusetts, Winter, 1995
need to conform to the narrow lots assigned by the commissioners,
are products of the district's distinctive lay-out. 67
Additional uniformities were established by the plan and
then incorporated into the building design. The Back Bay's
ubiquitous low front steps, usually requiring no more than six
risers to top the basement level, owe their short height to the fact
that the cellars in the buildings could not descend too many feet
below the line of the original Mill Dam without encountering
significant drainage problems. 68 Similarly, the Gilman plan's
uniform character was maintained through the design of sixteen-
foot alleyways in the rear of the Back Bay houses. 69 By keeping
service entrances behind the buildings, the side facing the street
was kept free of disharmonious openings that would have
disrupted the continuity of the walls lining the street-corridor.
It therefore seems that the Second Empire style was the
type of architecture most compatible with the urban design
adopted for the Back Bay. Both artistic forms were heavily
influenced by contemporary work in France, as Bostonians wished
to use the Back Bay's Parisian roots as part of a greater scheme to
raise their city to world-class status as a cultural center. Although
the desire for financial profit may have over-matched the quest to
improve the physical, cultural, and intellectual health of the city's
inhabitants, the evolution of the Back Bay as a major component
of the city was characterized by the farsighted planning of the
Commonwealth's commissioners, eventually resulting in Frederick
Law Olmsted's "emerald necklace" park system, and a residential
Back Bay district that still rings true to the environment desired
by Arthur Gilman almost 140 years after the adoption of his plan.
67. Ibid., pp. 130-133 and 136-139.
68. Ibid., pp. 133-134.
69. Ibid., p. 392.
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CHAPTER XVI
THE BACK BAY AND THE STUDENTS' QUARTER
O no Bostonian does the Back Bay mean water! The Charles, backed up
by a dam to the dimensions of a bay, remains merely the Charles, and the
Back Bay is the erstwhile swamp land beyond Beacon Hill and the
Common. Even the Public Garden was, long ago, merely a marsh at the
Common's end, and the great space beyond, now covered by endless
streets and houses, is all made land. It is the Back Bay.
The main artery of the Back Bay is Commonwealth Avenue, and it is
SO proudly boulevarded, in noble sweep and breadth, that one is almost ready to forget the
brown-stone monotony of its houses. The avenue is two hundred and twenty feet in width, from
house-front to house-front, and is free of street cars. Down its center is a great, generous, tree-
lined, well-shaded parkway, with a path down the middle for pedestrians; there are pleasantly
placed benches by which the park-like character is increased; and this long central greenery has
a series of admirably placed statues, with the equestrian Washington, excellently done by Ball,
at the beginning of the line; although Bostonians themselves long ago pointed out that he has
turned his back on the State House and is riding away!
This avenue is SO successful, SO notable, as to have served as a model for other boulevards
throughout the United States, and it has also given inspiration to Boston for her recent
development of home-bordered parkways running out toward outlying suburbs.
One of the statues is of John Glover of Marblehead, who commanded a thousand men of his
town, whom he formed into a redoubtable Marine Regiment, "soldiers and sailors too"; and this
monument perpetuates his skill and bravery in getting Washington's army across to New York
after the defeat at Long Island, and his even more remarkable success in boating the army
across the Delaware on a certain bitter winter's night at a place still called Washington's
Crossing. He died in his beloved Marblehead; but Boston has placed his statue here, feeling that
in this city such a valiant son of New England should be forever remembered. His hand firmly
grasps his sword hilt - but the sword itself has gone! Was it the act of some vandal, one
wonders, some one with a degenerate idea of relic hunting? But at least nobody ever took his
sword away from John Glover living.
Another of the line of statues is that of Alexander Hamilton, and it looks odd because it is
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Home American Aristocracy, Arts & Life, belles-lettres, current events, Features, history, politics, Politics & History
American Aristocracy - Harvard Pulpit: Boston Brahmin Liberalism
By Douglass Shand-Tucci
No Comment
the (ottalgexin Ongland
Boston printmaker William Burgis view of Harvard (1726) shows, not the traditional closed and cloistered court, but a three-sided court open to
the public street, an early example of Harvard's architecture reflecting Boston Brahmin liberalism.
"O relic and type of our ancestor's worth
First flower of their wilderness! Star of their night!,
/
Be the herald of
light / Till the stock of the Puritan's die."
The current U.S. president, his likely Republican opponent, the previous president - never mind FDR, the greatest modern
president, or JFK, everyone's favorite president - all have found themselves on graduation day asked to intone this hymn to
Harvard - arguably the West's preeminent institution of higher learning, also the most enduring achievement of what Notre
Dame historian James Turner has called "the closest thing to an American aristocracy, the Brahmin class of Boston."
Which sets up a certain confusion. Do conservatives with a funny accent create liberal powerhouses? Neither Puritans nor
Brahmins seem well cast here. Nor, perhaps, we ourselves. Yet it is our stock, surely, in a very real civic sense: "this
society of Fellows," Harvard's faculty declared when announcing its tercentenary to the world in 1936, "founded in the
year of Our Lord one thousand six hundred and thirty six, by Act of a Great and General Court of the Company of
Massachusetts Bay convened in Boston" - was a brave ambition for the "city upon a hill", in the 1630s precariously
perched, in historian Samuel Eliot Morison's words, "on the edge of the wilderness."
How account for such a venture? "The Puritans," historian K. T. Erikson wrote, "were almost a mythical people in their
own time, sure they were involved in a special cosmic drama
[to] establish New England as the spiritual capital of
Christendom, the headquarters of the Protestant Revolution." Americans ever since have "honor[ed] them as founders of
a
new civilization," he wrote in Wayward Puritans. Certainly they were global in their compass from the start, requiring
well-educated leadership, and Boston, their bastion, has ever since been as much hobbled by their real world failures as
inspired by that other-worldly cosmic drama which simply does not go away, as readers of Nathaniel Hawthorne or John
Updike know, creating a Bostonian exceptionalism before ever there was an American version, neither of which can be
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understood today without reference to the other.
Harvard President Lawrence Summers understood it, SO similar he-and so controversial-as Charles W. Eliot 100 years
ago, and what it might yet mean - in some measure already has meant. It is true circumstances did not allow Summers the
success in bringing Harvard into the 21st century that Eliot had with respect to the 20th century, or, for a more
contemporary example, Director Malcolm Rogers has had in the same task at Boston's Museum of Fine Arts, the challenge
and promise of Summers 2006 Commencement speech still resonates:
"All over the world and in every corner of America, Harvard's prestige and wealth inspires awe
Harvard is a place of
great and transforming opportunity.
We owe to the next generation, and to our own, every effort we can make
[O]ur university is at an inflection point in its history
If Harvard can find the courage to change itself, it can change
the world I look forward to the time when because of Harvard"s magnetic power, Boston is to this century what
Florence was to the 15th, - not the richest or the most powerful, but the city that through its contribution to human
thought shone the greatest light into posterity."
2
When Harvard's founders went on to name the new institution after a Charlestown minister, John Harvard, who endowed
the college in 1638, it was, according to The Chicago History of American Philanthropy, the beginning of that whole
aspect of American civilization. Digby Baltzell, in his Puritan Boston and Quaker Philadelphia catches the much wider
significance of this, distinguishing between "Charity, in the Catholic and the aristocratic ethic,
a spontaneous, stopgap
and Christian response," which Philadelphia Quakerism was close to, and "Philanthropy, an infinitely Puritan and rational
response to social conditions." He adds: "In contrast to charity, the systematic philanthropy of the Puritans lacked
sentimentality; it translated society, inadvertently bringing power and authority to the participants in the emerging world of
careers open to talent." Here the theme becomes profoundly American.
As 17th-century Puritan become 18th-century Patriot became 19th-century Brahmin, the conviction that fueled this
philanthropy waxed rather than waned. A landmark was the creation of the first modern foundation, the Peabody
Educational Trust in 1867, by the widely acknowledged father of modern philanthropy, financier George Peabody. His first
grants of the 1850s were to his hometown on Boston's North Shore, which changed its name to Peabody, and two of his
benefactions were to the Peabody Essex Museum in Salem and the Peabody Museum at Harvard. Peabody's gifts, however,
extended to Baltimore and London, scenes of his success.
Another example is John D Rockefeller, who in 1893 began the disbursement of the largest estate in American history,
"entranced" according to Ron Chernow, his biographer, with the 19th century Boston merchant, Amos Lawrence. Wrote
William Moran, in his The Belles of New England: The Women of the Textile Mills: "Lawrence gave away most of his
money to educational and charitable organizations." Rockefeller called Lawrence's memoirs "a great inspiration to me,"
impressed when he read how "Lawrence gave away crisp bills. Crisp bills! I see and hear them," Rockefeller said in 1917.
'I made up my mind that, if I could manage it, some day I would give away crisp bills too."
If Harvard's founding makes clear the global compass of the Puritans, while also marking the beginning of American
philanthropy, another Puritan principle was autonomy, which accounts for the fact that although Harvard was founded in
Boston, the new college was ordered to be built in an independent township on the capital's periphery named after the
English Cambridge. Disclosing what Max Savelle has called the "basic principle of congregational autonomy" beloved of
the Puritans, "this Congregationalism became the basis, indeed, of [Puritan] civic and political institutions, and many
historians have pointed to the significance of this in fueling the American Revolution, child as it was SO often of the New
England Town Meeting."
That impact, however epochal, does not exhaust the significance of this principle of autonomy in American history,
prompting one of 20th century Harvard's leading scholars to an insight few have: "From the founding of Cambridge in
1630 to the establishment of industrial parks along Route 128 in our own day," John Coolidge wrote in his introduction to
Old Cambridge, "Boston has created these out of town communities as specialized complements to the central city."
The result of this Puritan view was that by the Civil War era Cambridge had become what Henry James called Boston's
"academic suburb," by the 20th century the focal point of "Academic Boston," or as the still independent municipality of
Cambridge likes to call itself today in its tourist brochures, "Boston's Left Bank." By the mid 19th century there was not
only "Academic Boston" in Cambridge, but "Horticultural Boston" (as well as "a tax haven for affluent Bostonians" in
historian David Hacket Fischer's words) in Brookline. Then too there was "Industrial Boston," developed by the Boston
Associates, first in Waltham, later in Lowell.
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As l'have written in "Brooklyn/Brookline" (2010), following Coolidge's lead as I see it, this pattern was widely emulated
in the 19th-century in the expanding United States. With the exception of a brief period in the 1870s, Bostonians built their
metropolis in a very distinct way. As opposed to what urbanologist Kenneth Johnson in his Crabgrass Frontier calls
"municipal imperialism" - New York in 1898 actually annexed the 4th largest city in the country, as Brooklyn then was -
in Boston what fellow urbanologist James Carroll has called "municipal fragmentation" was the rule. The rejection by the
"Bostonians of Brookline," as I insist on calling them, of their town's proposed annexation to the core city, famously
established Brookline as famously the first American suburb. It became Boston's pattern, the pattern of "all the Boston
towns" - in landscape architect Charles Eliot's eloquent phrase - and to the dismay of city planners everywhere it became
the American way.
Three Puritan become American themes - globality, philanthropy, autonomy. But the crux of the matter, the controlling
factor in Harvard's founding, was otherwise.
3
We do not at once see this fourth factor, however controlling. One reason is that it does not figure as prominently as it
should in my view in the explications of the Brahmin value system - of which more soon here when we come to Oliver
Wendell Holmes Sr's classic definition of Boston's Brahmins - or, indeed, in the "state of mind" we accept as
characteristically Bostonian, always excepting the writings of Perry Miller and Van Wyck Brooks and F.O. Matthiessen.
Most scholars who have worked in this field have discounted this fourth factor. Frederick Cople Jaher, for instance, does
this in his otherwise excellent The Urban Establishment, where he deals with learning and culture in the
Puritan/Patriot/Brahmin continuum only after a far more extensive discussion of Brahmin economics and politics.
Similarly, sociologist Betty Farrell, in her Elite Families of 1993, and Thomas Adam, rather more negatively in 2009's
Buying Respectability. Boston Brahmins, he asserts, were "an economic, political, social and philanthropic elite."
Similarly, and more in our context here, Ronald Story, in his Harvard and the Boston Upper Classes, though he admits
"what distinguishes 'Proper Boston' of pre-Civil War days from its New York or Philadelphia counterparts was precisely
its singular cultural sheen its ethic of stewardship," insists that in the post-Civil War era as "the Boston elite's
consciousness of itself [came to reflect] what the world would perceive as a Brahmin aristocracy," the reality was more and
more that "culture itself and the institutions which embody and support it are products of economic forces."
I disagree. Learning and culture - the life of the mind - comes first in the Puritan/Patriot/Brahmin value system, not
economics, nor politics either for that matter. No one would deny someone has to pay the bills, though it is worth pointing
out the first Boston aristocrat to influence global economics, Francis Cabot Lowell, did much more than that. Nor do I deny
that later Brahmins like William Hathaway Forbes, the key figure of the American Telephone and Telegraph Company, and
the railroad magnet Charles Francis Adams, or James Jackson Storrow, who led the early automobile industry through his
financing of General Motors, payed their share of those bills, again with interest. Yet the need for economic ballast in any
great urban center of civilization notwithstanding, in all three of Boston's first three centuries - Puritan, Patriot, Brahmin
-
above all in the case of Harvard's founding - the energizing, controlling force that stands out, as it does not, for example,
in
Philadelphia or New York, is the Puritan devotion to learning.
In this Samuel Eliot Morison, Harvard's historian, concurs. Remember the speaking aristocracy and the listening
democracy? A very high percentage of the original settlers of Boston were graduates of Oxford and Cambridge, and as
Morison emphasized, their leadership was from the first "accepted by the community, not imposed on it, say I; for men of
education were the chosen leaders of the Puritan migration." It was as much a pattern, and, say I, a more important one, as
globality, philanthropy or autonomy.
A reason Americans tend to downplay this passion for learning - and to accept economics as always the driving force -
is,
I suspect, not just that it is, SO to speak, the American way to devalue the intellectual side of life, but because of the link in
the case of Puritan learning to their SO very unattractive (to moderns) religion, the religion of the book, after all. Fair
enough. But the way the early devotion to the life of the mind on the part of Bostonians was linked to religion was different
than we imagine, the entirely secular aspect of which is supplied by Diarmaid MacCulloch in his Christianity: The First
Three Thousand Years. In that work, the Oxford historian dwells on an astounding fact of his wide-ranging study of three
millennia - that Puritan Boston from the beginning - however precariously situated on the Atlantic rim - was "possibly the
most literate society in the world." That is surely the outstanding characteristic of Boston from the beginning, an
inheritance Americans can all claim without taint of Puritan religious intolerance.
The implication of this were considerable. The United States would create over time three of its four national (as opposed
to regional) capitals - its political capital, Washington; its economic capital, New York, and eventually its entertainment
capital, Los Angeles - each in the developing nation-state's own image. Boston, however, the fourth of the national
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capitals, the intellectual capital, Americans inherited. Boston Latin is forever America's first school, Harvard its first
academy of higher learning, like SO many Colonial establishments models for the institutions of a new American nation-
state SO importantly created in the image of the Boston city-state that in large measure birthed it. And however much they
would privilege the political, economic and entertainment capitals over the intellectual capital, Americans early formed the
habit of checking in, SO to speak, periodically, with the New England capital, which may be said to have come to function
as something of a spiritual capital given its historical role as - in British journalist Chris Wright's blunt words - "the
founding city of the most powerful nation on earth," for something like an ongoing national vision. Not, it must be
admitted, always to good purpose! But once or twice to very good purpose indeed; perhaps most successfully at the crisis
point of the Civil War, provoking as it did something of a second founding of the Republic.
To misunderstand all this is to make constructing a new history almost impossible. Not just Boston studies, but American
history, is endlessly distorted, for example, by the way Boston's cultural renaissance of the 1870s, 80s and 90s - SO
important to post bellum America - the era of modern Harvard's beginnings, of MIT's, of the new Museum of Fine Arts,
the Copley Square library and the Boston Symphony, all generators of much new thought and learning from the work of
William James to Alexander Graham Bell - is too often depicted as a consolation prize for Brahmin decline then in
political power within the city and for Boston's overall decline in economic power nationally, with no thought given to the
fact that Brahmin values had always privileged learning and intellectual life and culture above economics and politics,
none of which had risen, for example, to the sort of reward a Charles Francis Adams, for example, had sought. Thus when
the first of the extraordinary cast of Bostonians, Edward Morse, projected for "Boston by far the greatest collection of
Japanese art in the world" for its new art museum, it represented more a reassertion of traditional Boston Brahmin priorities
than some sort of fallback position for loosing control, for example, of the mayor's office.
No more was the Boston Public Library in Copley Square a consolation prize. Remember British critic Matthew Arnold's
astonishment at encountering the barefoot news boy, the most astounding thing he'd ever seen he said. Boston's library was
an epochal institution, and its apotheosis in Copley Square was a breakthrough in western history: the world's first tax-
supported big city circulating library free and open to all. (There had been "public" libraries in Europe even in ancient
times, but they were never open to all classes - barefoot newsboys, for instance - and even for those classes who were
welcome, none were circulating or lending libraries; rather, scrolls could only be read on the premises. The tax-supported
circulating public library open to all, like its sister, the modern public art museum, is an Anglo-American creation of the
19th-century.)
Hardly less important was the new thought and breakthroughs in several fields that occurred in Copley Squares institutions
- the pioneering work of the father of brain surgery, for example, Harvey Cushing, at Harvard Medical School next to the
Public Library - and the often seminal Lowell Lectures of the Lowell Institute in the square, under the auspices of which
William James lectured free to all on his latest work on mental states and Oliver Wendell Holmes Jr on the Common Law,
the origin of his famous book on the subject.
Similarly the Boston Symphony Orchestra. It is true that business was no small thing to the Boston Brahmin. Nathan
Appleton could say in 1828 that he knew of "no purer morality in any department of life than that of the counting house,"
evidence that "throughout the 19th century Boston's commercial and intellectual communities lived together in easy
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harmony." But it is also true that "Boston's romance between mind and Mammon was not to last," Russell Adams wrote in
The Boston Money Tree, where he quotes [Brahmin financier] "Henry Lee Higginson [as] see[ing] Boston's attitudes
toward the time-honored pursuit of wealth, no matter how creditably conducted, change from approbation to scorn" in
the
post Civil War years of the robber barons.
Indeed, qualms about a too great emphasis on money-getting surfaced noticeably -according to Paul Goodman in his
Ethics and Enterprize: The Values of a Boston Elite - when Boston was at its economic height, a generation or two before
the city's late 19th-century business decline. "During the first half of the 19th century, as a group of Boston businessmen
were transforming their region's economy, they were also elaborating a value system, Goodman writes: "Rejecting
the
single-minded pursuit of wealth, Bostonians claimed to prefer the balanced personality that tempered the quest for wealth
with standards of gentlemanly decorum and the purifying influences of culture and stewardship, all in the conviction that
"by pursuing culture, the businessman might broaden his sympathies, refine his sensibilities, and escape the moral dangers
of
a
consuming thirst for gain.' Moreover, Goodman adds, "within Brahmin society sons of merchants turned their back on
the life of trade, [r]evolted by a growing commercialization." Dickens saw this, writing of Boston that there: "The
almighty dollar sinks into something comparatively insignificant amidst a whole Pantheon of better gods."
The change from approval to scorn, furthermore, registered in the parents generation too. Henry Lee Higginson was among
the most scornful, finally judging "material success as a corrupter of his generation.
In 1878, at the peak of his business
career, he lamented" according to Russell Adams, "to his literary cousin, Thomas Wentworth Higginson: 'I have become a
money-getter." But what Thomas did for literature (Emily Dickinson), Henry would do for music! Ten years later Henry
Lee Higginson founded the Boston Symphony - and even the New York musicologist Joseph Horowitz in Classical Music
in America, who entirely misunderstands most things Brahmin, credits that legacy SO highly he calls Higginson "a colossus,
an American hero."
Suddenly we are searching again for the capitol of the world! And of the literate world in the 1630s - at least in the
Atlantic world - that would be Boston! Recall Richard Hofstadter's declaration that "the Puritan founders had their terrible
faults, but the Puritan clergy came as close to being an intellectual ruling class. as America has ever had." More than
half
the tax levy of the entire colony at its most fragile stage was allocated to support Harvard. There is a sure sign of Puritan
values, and an economic one too! And it was as sure a sign of Brahmin values in the 19th century when British philosopher
Alfred North Whitehead in the mid 20th century pronounced at the end of the Brahmin era on what would be seen as its
chief legacy, that "insofar as the world of learning posses a capital city, Boston with its neighboring institutions,
approximates the position that Paris held in the Middle Ages."
Now no one should argue that the circumstances of the 1630s compelled those of the 1940s; only that the circumstances of
the 1940s had very deep roots, long cultivated. How long is startlingly obvious when one considers the temple - the stately
vestibule of the city's storied public library in Copley Square - 20th century Boston decided upon for the statue of the
governor, Sir Henry Vane the younger - who presided over that "Great and General court houlden at Boston on October 28
1636 that passed the legislation" in Morison's words, "that founded Harvard." Such a temple is no surprise. More SO the
fact that its chief votary in the 1930s was John Brooks Wheelwright, one of America's foremost Modernist poets-and a
Marxist-illustrating the sort of continuities Bostonians find SO fructifying.
The chief continuity, furthermore - easy to miss because it becomes as it evolves two-fold - is that the passion for
leaning of the first Puritan generation was compounded within two generations, still in the 17th-century, by an increasing
passion too for liberal learning.
4.
"Most beautiful, most Tuscan, most useless Public Building in America" - Wheelwright's brusque, disillusioned opening
line in the "Banned in Boston" period of his of 1940 poem - "Boston Public Library," says it all. Twelve generations of
Wheelwrights preceded the poet at Harvard, spanning the three centuries we have just leaped. Furthermore, when
Wheelwright XII, himself the son of one of Bostons leading architects, became the sort of activist at Harvard who could SO
chastise Boston's library, he was in his view emulating Wheelwright I, a Puritan ministerial ally of Vane three hundred
years previously.
Both the Puritan governor and the Marxist poet haunt the BPL's vestibule-temple still, Vane most obviously, who as
Erikson points out espoused "a brand of Puritanism [that was] slowly bringing them to the notion that states might
tolerate a diversity of religious opinion." Vane's huge popularity in the capitol - he was called "the champion of Boston"
-
derived from the fact that he possessed what Erikson called "a quick, easy sympathy with the more advanced ideas of the
day." No wonder the 20th century poet identified with Vane, especially through the ideas of Anne Hutchinson's
Antinomian Rebellion, a bid for religious freedom the specifics of which are obscure today but were a dominant aspect of
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the decade in which Harvard was born, ideas ultimately enshrined in the US Constitution.
Sufficient for us today is to refer to the judgment of Charles and Mary Beard in their Rise of American Civilization. In this
world view, Wheelwright's too, "the Antinomian controversy of the 1630s, the abolitionist movement led by [William
Lloyd] Garrison and [Wendell] Phillips and the Transcendentalism of Emerson and Thoreau have to be assessed as
expressive of leftward moving and more militantly democratic forces within the bourgeois revolutionary movements," each
of which "wave of revolution," according to Wheelwright biographer Alan Wald, was led by men and women who "came
from the upper strata of society."
The last sentence is key, and therein lies the most important parallel between Vane, my
Puritan choice for proto-Boston Brahmin, and Wheelwright, very much by the 1930s a Brahmin relic. Indeed, what stands
out historically about the governor is also what stands out about the poet. A longer glance at Macmonnies' statue of Vane at
the BPL makes the point. Was there ever more elegant, more confident a cavalier than this booted, spurred and plumed
figure putting on his riding gloves? A convinced Puritan - Vane would ultimately be beheaded by the royalists - he
nonetheless never tried to hide where he came from, that he was an aristocrat. In the 1930s it was not plumes but a raccoon
coat that conveyed Wheelwright similar stand. Indeed, when he was once pulled out of a Depression bread line where he
was proselytizing by a policeman who noticed how well dressed he was, he protested "I am a poet."
Thus one sees in both the Puritan and the Marxist, a stubborn refusal to change in small things allied to an equal openness
to complete change in larger things. It would become characteristic of the Puritan-Patriot-Brahmin continuum, highlighting
the trajectory of Boston historically as an intellectual center. Although on the all important surface, custom reigned, the
overtones, SO to speak, disclosed not a narrowing, but a broadening of attitude; not a more and more rigid conservatism, but
a more wide-ranging liberalism.
Indeed, by as early as in the 1690s Bostonians counted among their leadership a growing number of liberal Puritans. Nor is
there any secret how this came about really. This liberalism first appeared in England, Samuel Eliot Morison pointed out,
and it was Morison who elsewhere explained the differences between Harvard and Yale's development, "New Haven was a
small
place,
Connecticut
a
rural
colony
at a time when Massachusetts was a royal province with a miniature vice-regal
court, and Boston a trading metropolis that ape[d] the manners and reflected the whims of England," in fact an Atlanticist
port capital.
Evidence of this 17th century liberalism abounds in both the arts and the sciences. Boston's reception of the Copernican
revolution, for example. Edward J. Pfieffer, the historian of science, in Thomas Glick's The Comparative Reception of
Darwinism in America, casts his mind back to an earlier century and recounts "American acceptance of new scientific
thought - for example, Galileo's at 17th century Harvard," an acceptance Pfeifer writes that has "been taken by historians
as the mark of a sophisticated but still colonial culture."
As telling was 17th-century Harvard's choices in art. What Harvard inherited from the English collegiate scene
architecturally was the typology of the cloister - serene, harmonious, but also insular, introverted, discouraging contact
with the world. However, when a new architectural form emerged in the English Cambridge - the open three-sided court,
seen at Gonville and Caius College and then at Emmanuel, John Harvard's college, only 45 years before Harvard was
founded in far away Boston - Harvard was quick to take it up. Interestingly, in Bainbridge Bunting's and Margaret
Henderson Floyd's architectural history of Harvard, they refer to the same John Coolidge who SO unusually well
understood deliberately Balkanized Boston to explain why Harvard was in this respect SO innovative. It was another aspect
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of liberalism. Coolidge's conclusion was that it was a desire for "interaction with the city."
That dovetails with Bernard Bailyn's observation in Three Glimpses of Harvard History that Harvard "was an artifact of
the community as a whole." Significantly, there was a daily stage by 1795 over what has now become the Red Line subway
route from Beacon Hill to Harvard Square, and Bunting writes of the omnibus that replaced it by "1862 [as] apparently
the first high-frequency transit route in America, and one that developed two years after the appearance of the omnibus in
Paris, three years before those in London."
One may be sure that frequent passengers of this service included William Brattle and John Leaverett, 1680 Harvard
classmates and sole resident Harvard tutors and fellows in the late 1680s and 1690s, both liberal in thought, and Williams'
elder brother Thomas Brattle, a mathematician whose work won Sir Isaac Newton's praise in his Principia. Historian Rick
Kennedy in the American National Biography testifies to the importance of "the example of [Brattle] gave to his students
of an orthodox Puritan committed to the ideals of the founders of New England, but open to the beginnings of the
Enlightenment."
Kennedy also focuses on the same learned Harvard trio in connection with the State Street area leading to Boston Harbor.
Max Savelle details the matter: "it was Thomas Brattle and his brother William who together with John Leavertt, later
president of Harvard, organized the liberal Puritan dissidents in Boston by the creation of the Battle St. Church in 1699
The
organization
of
the
Brattle
indeed, marked
the
beginning
of
the
liberalization
of
Puritan
doctrine."
Furthermore, writes Kennedy: "No better expression exists of the moderate Puritanism to which Brattle and many other
Bostonians subscribed, than the Brattle Street meeting house of 1699, whose Wren-like tower and steeple were the first
constructed in America." Eight years later the Liberals gained a majority on the Harvard Corporation and elected John
Leavrett president.
Of course liberal does always equate with patriot. But to peruse the membership lists of the Brattle Church is to discover
therein Abigail and John Adams and John Hancock, patriots all on the verge of becoming Brahmins, and nimble enough
Brahmins that the Torys had hardly fled to England before the triumphant patriots were seen to be moving into their Boston
mansions. Like the new Napoleonic nobility whose riposte to the old Bourbon one was that they were their own ancestors,
thank you, Boston's now sole and unrivaled patriot aristocrats were a case of what one can only, again, call "liberal
conservatism."
Consider John Adams, conservative enough to favor not only aristocracy but monarchy. Though he believed that all were
created equal, Adams saw that as "a statement of personal rights" according to Richard Brookhiser, "not that all are
approximately or potentially equal in condition and therefore equal in their political rights." Asserting that "people have
advantages at birth or in their character," he insisted that "some men are created aristocrats." Although he and Jefferson
agreed that the citizen should always decide the matter by his vote, Adams argued for what he called the five pillars of
aristocracy. They were beauty, wealth, birth, genius and virtues. He argued too that any of the first three can at any time
overbear the both of the last two," and as Brookheiser points out drolly, "Adams knew whereof he spoke. He possessed
himself only the last two, and had many times been defeated by the first three, thus foreseeing Roosevelt's and Bushes and
Kennedys and Clintons and Gores alike." "As long as there are elections," Adams opined, "people will vote for candidates
they recognize. It is the tribute democracy pays to aristocracy."
Yet this patriarch of Boston's leading Brahmin dynasty was also the author after the Revolution of the new Massachusetts'
constitution, a most radical document indeed, SO radical Peter Kadzis, editor of Boston's leftist alternative newspaper, The
Boston Phoenix, could recently write of Massachusetts that it was "arguably the world's freest political entity
its
[constitution's] Declaration of Rights [being] far more ambitious and inclusive than the national Bill of Rights." As we saw
last time here, 200 years later Massachusetts Chief Justice Margaret Marshall judged it inclusive enough to mandate same-
sex marriage. It remains the oldest written constitution in the world still in use.
5.
It would be too much to call the Massachusetts Constitution a Brahmin constitution, or even a Unitarian constitution, I
suppose, but Adams was certainly both, and Jefferson the first, he of the "Jefferson Bible," out of which Jefferson had
razored out all miracles! In post-revolutionary Boston there was no need for such discretion, and the equivalent of
Jefferson's very private Bible were the very public services of King's Chapel, from the old Anglican liturgy of which all
Trinitarian references were removed by America's first Unitarian Church, itself become the flagship of what historian M.
A. Wolfe Howe called "the Boston religion," consolidated in Boston in 1825 with the founding of the American
Unitarian Association after the new philosophy had established its dominance at Harvard Divinity School.
Led by a saintly Christian humanist, William Ellery Channing, Unitarianism's thrust was that "to understand God we
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begin," in Channing's words, "by looking inside ourselves." Which was surely to more than live up to Matei Calinescu's
sharpest definition of the avant-garde: "to overthrow all the binding, formal traditions and to
explore completely new
horizons," the last state of which would prove to be in Puritan terms surely a completely de-Christianized denomination the
least reason Brahmins and immigrants often talked past each other. As political scientist John F Stack points out in
International Conflict in an American City, "the dominance of Unitarianism among the Brahmins frequently made them
appear anti-Christian to many Irish and Italian Catholics." As religion in some sense waned, learning waxed. What
Diarmaid McCullough observed of the 17th century Baltzell observed of de Tocqueville in the 18th, when he reported that
the Bay Colony must contain the highest proportion of educated men the world had ever seen." Even more than his beloved
Paris. There is the underpinning of Oliver Wendell Holmes Sr.'s classic definition of the Brahmin caste.
Holmes is a hugely misunderstood and undervalued figure today, more often judged by his
poetry than his prose, and as entirely a literary and not at all a medical figure. Charles Bryan, a medical school professor at
the University of South Carolina, can help us here. He sees, as does William Dowling in his recent study of Holmes' years
in Paris, that far from being a being a provincial, Holmes was a cosmopolitan, one reason he ended up Dean of Harvard
Medical School. Writes Byran: "Holmes had a hand in every great medical advance of the 19th century; in aseptic practices
and articulation of germ theory in the introduction of anesthesia (it was Holmes who proposed the term) and in the
anticipation of clinical psychology and psychiatry.
(def)
Indeed, it is quite a joke on more than one scholar that Holmes' classic definition of the term "Boston Brahmin" comes
about in the course of his "arous[al of public interest in the then unnamed fields of psychiatry and psychology" - I am
quoting Byran - "through his three novels, [the first of which, The Professor's Tale, later named Elsie Venner] was where
the subject came up" That is the milieu in which the Boston Brahmin was first named. I think at once of a friend who
insisted to me that the Boston Brahmin must be understood as not just a "custodian of taste, but an agent of thought."
The Autocrat of the Breakfast Table, which began in 1831-32 in New England Magazine and was revived in 1857-58 in the
Atlantic, shows Holmes' growing interest in the American class system. "We are forming an aristocracy, as you may
observe, in this country a de facto upper stratum," Holmes concluded in Autocrat, and "of course, money is its
cornerstone," what Holmes biographer Peter Gibran means when he alerts us that "the first development of the Brahmin
theme comes near the end of Autocrat." Note it is a monied aristocracy that comes up first. It is not for another year, untill
1859, that a learned aristocracy arises significantly in The Professor's Story.
About the first aristocracy, "merely the richer part of the community," Holmes writes that "some of these great folks are
well-bred, some of them are only purse-proud and assuming," but, he continues, "the millionocracy" - note the sarcasm
-
"is not at all an affair of persons or families, but a perpetual fact of money with a variable human element
this trivial
and fugitive fact of personal wealth does not create a permanent class." But he takes quite a different view of the learned
one. An "aristocracy, if you choose to call it so, which has a far greater character of permanence," Holmes pronounces it "a
caste, not in any odious sense, by the repetition of the same influence generation after generation." Contends Holmes: "a
scholar is in the large proportion of cases the son of scholars or scholarly persons
He
comes
of
the
Brahmin
caste.
Qur scholars come chiefly from a privileged order, just as our best fruits come from well chosen grafts"; thus the learned
aristocracy is hereditary.
Always, he differentiates between the two aristocracies absolutely, even though he admits that "the New England Brahmin
caste often gets blended with connections of political influence or commercial distinction," and that it is "a charming thing
for the scholar when his fortune carries him in this way into some of the 'old families' who have fine old houses and
[access to] dividend-paying companies." ("His narrow study expands into a stately library"). Indeed, Holmes took up the
subject again in "Bread and Newspaper," writing "our poor Brahmins - whom a critic in ground-glass spectacles (the same
who grasps his statistics by the blade and strikes his supposed antagonist with the handle) oddly confounds with the
'bloated aristocracy. 'Brahmins' only birthright," Holmes stubbornly wrote, "is an appetite for learning."
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Holmes was not for long the only definer of 'Brahmin,' and two influential historians seem not to have. Story points out
that John Lothrop Motley in his Memorial to Josiah Quincy (1864) defined Brahmin as "rich, well-born and virtous," and
Stephen Kandler shows in his "Francis Parkman's Ethnography of the Brahmin Caste " that Parkman undertook a very
racist comparison of the term with reference to the American Indian. Moreover, most scholars also take Story's view that
"the employment of this term before the mid [19th]-century is an anachronism, for it did not enter the lexicon until the time
of the Civil War," having gradually "displac[ed] the terms 'Federalist (or Whig) aristocracy" and "Boston Associates"
(How quickly is hard to say; the New York Times, where the term "Boston Brahmin" appeared first in 1874 - three years
ahead of the Boston Globe - published a rave review of Elsie Venner without once mentioning the author's coining of the
term.) But whether the caste being newly named changed is a nice point. May we properly call Saint Peter a Christian, or
Michelangelo gay? Even Story writes of what he calls, somewhat awkwardly, a "finished Brahminism at a particular if not
quite definable point in the 1860s."
Not at all definable in my view. Consider Peter Dorkin Hall's perspective. "In order to understand the context in which
privately endowed American cultural institutions developed," he insists, one must focus on a group - "called the 'Boston
Brahmins' after the 1850s
descendants of about a hundred individuals living in the 18th century," particularly Amorys,
Lawrences, Lees, Lowells and Peabodys. The senior aristocracy's history in Boston is seamless, whatever one calls it.
Which, by the way, finally, was more important, Holmes's view aside? It is no surprise that Baltzell pronounced that
"Massachusetts was dominated by an educated rather than a propertied upper class." But Emerson biographer Lawrence
Buell leaves little doubt either of which aristocracy he thought more formative:
The Boston into which [in 1803] Emerson was born was proud of its revolutionary heritage, but a cultural
backwater compared to London and Paris Yet within a mere half century New England - and the Boston
area in particular - had become a center for literature, for avant garde American thought in religion,
philosophy and education, and for a host of reform movements from temperance to abolition to feminism. The
reason? One, perhaps te most important, was the man Buell pronounces "one of the great literary essayists of
all time and one of the most influential figures in the history of American thought.
6.
Two years before Holmes coined the term "New England Brahmin" in the Atlantic to describe the Boston city-state's senior
aristocracy, another leading figure of the day used the same word in the same magazine in 1858, and quite pointedly
claimed to be a "Brahmin" himself in what Robert Richardson calls "one of [Emerson's] last great poems." "If the red
slayer thinks he slays, / Or if the slain think he is slain? They know not well the subtle ways? I keep, and pass, and turn
again./
They reckon ill who leave me out; / when me they fly, / I am the wings; / I am the doubter and the doubt, /
And I the hymn the Brahmin sings."
Deeper down that urges us, and no surprise, for the Boston Brahmin was always more engaged with Asian thought than
most realize. As an indication of how profound and intimate was this engagement I like to cite the funeral of William
Stugris Bigelow at Trinity Church, a funeral in the Anglican rite, presided over by Episcopal bishop, but where the body
was clothed in the vestments of a Buddhist priest, which Bigelow was. Yet who reads the Buddha's pronouncement - "he
who is noble, heroic, a great sage, passionless, pure and enlightened, him call a Brahman" - and then reads Emerson's
"Brahma" and does not see how each reflects the other will not understand why critic Pico Iyer could tell Christopher
Lydon recently on Open Source that "the higher form of globalism, I've always thought, is Emerson. That's why I chose
to
write a book about the dalai lama."
Pico calls that religious leader the "best sort of New England Transcendentalist" and
Emerson's globalism "not at the level of Microsoft, McDonalds, or Britney Spears, but at the level of conscience,
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imagination and the heart." If that is the deepest reason Holmes reached into India to name Boston's learned caste,
Emerson, it is well to recall, lest he be mistaken for an exotic, was also the American Plato; "the angel with whom we must
struggle," critic Harold Bloom has written, "if we are to win the blessing of a new name, whether it be the American
scholar or some 21st century equivalent."
Which is to pose a nice question: When a present-day scholar, Dr. Robert Gordon, in Mandala of Indic Traditions, urges
the author of "Brahma" as "the first Boston Brahmin," I am reminded of Protap Chunder Mozoomdar's pronouncement
over a century ago now in "Emerson as Seen from India," that Boston's iconic thinker "had all the wisdom and spirituality
of the Brahmans [of India]
And in that sense Emerson was the best of the Brahman's."
Best in India? First in Boston? Accolades worth repeating because unique, but I suspect both, though I can really speak
only to the second. I will leave it to Dr. Rajat Chandra to say that the great Indian luminary "[Rabindranath Tagore's]
Brahmo faith had Unitarian influences," and that the "writings of Ralph W. Emerson, the famed Boston Brahmin who had
great regard for Indian culture, inspired many educated Bengalis." Certainly there is on the Boston side near contemporary
documentation of this. In 1908, in an article entitled "Young Hindus in Boston," The Boston Globe reported of a group of
University of Calcutta graduates visiting the New England capital that they "belong[ed] to the Brahmo Sanaj reigion, a
comparatively new sect, referred to by them as similar to Unitarianism here". As to the Boston accolade, Emerson's father,
the Reverend William Emerson was as much a Brahmin as his son. On the other hand, it may truly be said of Ralph Waldo
Emerson, scholar-son of a scholar father, neither ever well off, that no one ever better fulfilled Holmes's definition of the
Brahmin.
Emerson's place in the development of the Unitarian movement can be seen by consulting a work like Sam Storm's
Modern Theological Liberalism, where(Storm divides Unitarian history into three periods: The introductory one dominated
by the establishment of King's Chapel, the consolidating period dominated by William Ellery Channing, and the mature
period, wherein Emerson inspired a "flowering" of the movement - Transcendentalism. What all shared was a conspicuous
and increasing liberalism and elitism: as the old saw has it-the Fatherhood of God, the Brotherhood of Man, and the
Neighborhood of Boston.)
Historians of religion who have addressed the matter are clear about the nature of Unitarianism. "Archetypal modern
intellectuals," Daniel Walker called them, "celebrat[ing] the characteristic features of modernism capitalism, theism,
liberalism and optimism." Kavel van Baalens agreed. In his The Chaos of Cults, he called Unitarians the "Modernists of
Protestantism." In The Modernist Impulse in American Protestantism, William R Hutchinson declares that "in opening
religion
to.
scientific method and in alleviating the astounding American provincialism about world religions, the
19th century Unitarians made incalculable contributions [as] pioneers of a modern synthesis."
In this connection, "scholars now argue," Frank Schulman writes, "that Emerson did not reject his Unitarianism, but
transformed it through Transcendentalism," creating what has been called an American Renaissance. Yet as he became
more and more American, Emerson hardly became less Bostonian. It is true, as Lawrence Buell points out, that "most
Boston businessmen found Emerson's ideas both disconcerting and contemptible," and that Emerson returned the favor -
disdaining "the greed and philistinism of State Street" Henry Adams was the rare intellectual who agreed with State
Street, if for different reasons - but the sage of Concord insisted on Boston as Vasari of Florence, whether of its core city,
which he insisted must lead American civilization and where he lectured and published and haunted bookshops and joined
clubs, or the suburb of his constant retreat; and who could mistake Concord for the suburb of an other capital? Concord
joined Cambridge, Brookline, Lowell and SO on as another of the "specialized complements" Boston created around itself -
this time "Philosophical Boston".
Emerson, of course, is a classic example of the Boston-centric global orientation, for his essays and orations - think
especially of his "American Scholar," the so-called "American intellectual Declaration of Independence" - made him an
international figure. Still do. Not just in obvious ways, such as President Obama binding Emerson's essay on Self Reliance
into the publication of his Inaugural Address, but in the way Harvard philosopher Stanley Cavell constantly engages
Emerson and Thoreau in the company of Wittgenstein and Heidegger, pointing especially to how Emerson in Cavell's
world view, describes - even to Nietzsche, of all people, who borrowed much from Emerson - to each reader everywhere
"his own idea
never final, always initial, always on the way." Adds Goodman: In Emerson's way of seeing, "one finds
God only in the present; God is, not was." One is reminded that Emerson charged that "historic Christianity" proceeds "as
if God were dead."
Emerson on God, Cavell on Emerson, Goodman on Cavell's Emerson - it is in the last category perhaps one does well to
seek the role in Emerson's thought of Indian philosophy. Though one can too much urge the importance of this -
"Emerson," Goodman writes," was a philosophical original and he transformed everything he touched." Yet his "Over-
Soul" is one of his "quintessentially Hindu writings," and his "Indian associations shape the images and doctrines of his
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greatest essay, Experience."
The depth of the Boston elite's relationship with India particularly needs to be remembered. It was symbolized not only by
the huge bulk of India Wharf, four stories of counting rooms and stores and warehouses extending hundreds of yards into
Boston Harbor, but by the intensity of interest of Charles Eliot Norton, for instance, an uber-Brahmin of national repute
eventually, Of Norton and India historian James Turner writes that India interested Norton because, like Alexis de
Toequeville seeking France's future in the American present, Norton always pondered foreign cultures with an eye to
elucidating his own. Parsees prowling the pages of the North American Review became a case study in the national
interweaving of religion, literature and the arts and individual moral formation.
[Parsee] religion exemplified the
historicist principles by which Unitarians explained religious development, in this case the corruption of belief into
superstition." Unitarians in turn had many important connections with liberal Indian thinkers.
Emerson came by his interest in things Indian chiefly through his father, William Emerson, the founder in 1804 of the
Anthology Club and the editor of the Monthly Anthology and Boston Review, which regularly carried articles on Indian
philosophy, a subject young Emerson also pursued at Harvard. So it does not perhaps surprise that the Transcendentalists in
the 1830s were "the first group in America, however loosely knit, to pay serious attention," in Leyla Goren's words, "to
Indian thought." It is Goren who most closely links through Indian philosophy the Puritan ethos with the Emersonian ethos,
asserting I think persuasively that Emerson and his colleagues were drawn to Indian thought because "it was profound
without being gloomy. The Puritans harsh insistence on the pre-eminent importance of Salvation was suited to the
exigencies of reform, or of revolution, or of migration and settlement," Goren suggests, "but was simply not sufficient to
appeal to the spiritual hunger of Emerson," the nature of whose achievement is such, she believes, that Indians themselves
have described the Boston icon as a "kindred spirit [as] a voluminous literature attests." Emerson's was truly an
achievement of global dimensions that fulfilled the highest ambitions of Harvard's founders.
7.
One very alert scholar, T. K. Wayne, in her Encyclopedia of Transcendentalism, has suggested that "referring to himself as
the Brahmin's hymn might be seen as a play on words, since the term 'Brahmin' was just coming into use in New England
in the 1860s, to refer to Boston's cultural elite." Holmes' biographer Peter Gibran, moreover, cites "a long March 1856
letter from Emerson to Holmes suggest that Holmes and Emerson had been conducting an ongoing discussion, that
Emerson's notions about 'The American Scholar' and about the scholars' necessary disengagement from irrational mass
movements, may have had a significant impact on Holmes' later published description of the Boston 'Brahmin'."
Gibran is on to something when he resolves one issue here, suggesting suggesting Holmes' definition of the Brahmin caste
was a reflection of 'a major nineteenth-century transformation in the role of the 'Boston Brahmin' in American life. He
writes: "If, in the past, New England's secular priesthood had combined intellectual, political and social leadership, by the
time Holmes names the caste. it is purely an 'academic class', a community of scholars' defined by intellect alone
Holmes' 'Brahmin' is clearly disengaged from operations of power, and more literally engaged in education."
Alas, Gibran seems not entirely to understand the transformation in the post Civil War era when three of the four 20th
century national capitals - New York, Washington, Boston - would emerge as dominant in national life. Boston, though it
has come to be an economic superpower today, was not then anymore than it is now, the economic capital. That is New
York. Nor is it the political capital any more than it would become the entertainment capital. Boston is the intellectual
(which would mean more and more the academic) capital and for that capital its leaders are intellectuals and academics,
and that is where power chiefly resides.
However, Gibran is much closer to the mark when he goes on to say - of a period (though he does not himself allude to it)
when Boston gained five new universities - the new Harvard, MIT, Boston University, Boston College and Tufts - that the
"claims that Holmes does make for this new sort of 'Brahmin' seem to be based on a an important distinction between the
new role of the intellectual and the traditional one of the 'clerisy' Holmes' writings can be seen as primary signs of a
shift
in
the
ideal
of
a
'life
of the mind" from a model of end-oriented intellect in the service of power to disinterested
intelligence with a goal of free speculation and criticism; from living off ideas to living for them."
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Massachusetts Institute of Technology Cambridge Massachusetts B-15
In this connection, historian Morton Keller's "The Personality of Cities: Boston, New York, Philadelphia" is worth reading.
He is most pointed in his analysis of the three cities' distinctive cultural characteristics and how "they preserved these
characteristics through three centuries of profound cultural and economic change," and in Boston's case a dramatic early
20th century decline. Writes Keller: "As the 20th century wore on, the Puritan city upon a hill once again became a force to
be reckoned with in American life traditional Boston personality reasserted itself It did so by drawing upon - and
ultimately bending to its tradition - the vitality of the [immigrant] newcomers The[ir] long struggle produced
the
Kennedy's, the leading modern American political family [while] Boston as a seat of learning entered into yet another
flowering of Education, scholarship, scientific research, and high technology, making what Keller calls "the largest college
town in the history of the world."
How and why and who accomplished this? Listen to Notre Dame historian James Turner, whose analysis deserves as close
attention as Gibran's. Of even the revolutionary privateers, the parvenu's of the "Salem junta," drawn to Boston as the Tory
Loyalists departed in the 1770s and '80s, Turner writes that these nouveau-riches bequeathed to their Brahmin children a
"shared ethic still recognizably Puritan in one respect: trade was honorable; ceaseless pursuit of wealth was not. Ancestral
convictions imposed restraint. Piety, virtue, intellect outweighed profit, or were supposed to. Surprisingly, often, they did.
Along with moral and religious precepts went a high and hereditary regard for the clergy.
As religion shaded gently
into learning
the distinguishing characteristic of Boston's elite was the melding, achieved to perhaps a unique degree in
American history, of the lives of the mind and the counting house."
He sees this trajectory persisting, moreover, as I do, throughout the 19th century business crescendo. "Manufacturing in
New England, then the railroads that opened the West, provided
a stable investment
As a result, children
could
eschew the temptations of avarice without risking the comforts of gentility. Avocation became vocation
Barely had
the mercantile elite consolidated itself when it began to evolve into something more varied.
"
Which was? "An aristocracy not of money," pronounces Turner, "but of mind bred from the crossing of the Unitarian
clergy with the merchant princes in its heyday from 1840 to 1890." That's what Oliver Wendel Holmes seems to have
foreseen, able to do SO with a clear eye perhaps because Holmes did indeed believe in democracy. The Boston elite's
untroubled assumption of its duty to lead was not at all incompatible with democracy. Turner wrote: "A belief in hierarchy
implied neither contempt for American republicanism nor enthusiasm for European aristocracy; quite the reverse
America escaped [the evils of the European system] because of 'our political and civic institutions,' including most notably
general access to education, the staircase by which any citizen might rise."
8.
Emerson, the thinker - the individual apotheosis of the Brahmin ideal - is often faulted for not having been more of an
activist, and it must be said - Louis Menand being right that what Holmes Sr meant by "scholar" we would call an
"intellectual" - that intellectuals-as-activists played a very strong Brahmin hand, arguably the strongest, something one can
see most clearly perhaps in the way that American conservatives today are apt to identify with yesterdays Boston
Brahmins. Historically, however, conservatives have more often despised Brahmins; and because enemies, more than
friends, can usually be depended upon to tell the truth, one of these critics must be called as a witness here. Indeed, in
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many ways the best evidence of the nature and thrust of Boston Brahmin leadership - there are always, as Digby Baltzell
remarks, more George Apley's than John Adams's - is that the Brahmins' most implacable enemies, historically, continue
to be extremist American conservatives.
Accordingly, while I discourage students from reading resentful anti-Brahmin authors (George Santayana: The Last
Puritan; John P. Marquand: The Late George Apley), or their cousins the entertainers (Cleveland Amory: The Proper
Bostonians), and insist immigrant-oriented anti-Brahmin rants (James Michael Curley's speeches about "Back Bay
Bourbons") be balanced by pro-Brahmin hymns of praise by other immigrants (Mary Antin: The Promised Land), I
absolutely require students read, first: the great Boston novels (Hawthorne's The Scarlet Letter, Henry James's The
Bostonians, Howells' Silas Lapham, O'Connor's The Last Hurrah, May Sarton's Faithful are the Wounds, and West's The
Living is Easy) and, second: conservative critiques like that of editor-author Samuel L. Blumenfield.
An ardent enough conservative to have written regularly for the John Birch Society, Blumenfield's chief cause is disclosed
by the title of his best known book, Is Public Education Really Necessary? (1981) in which he asserts that "socialists who
were very active in the public school movement began operating in secret cells in America as early as in 1829." He is
talking about Boston Brahmins, misled in his view by the British social reformer Robert Owen, whose ideas "reached
the
Boston Unitarians soon after their publication in 1813, disseminated in America by John Quincy Adams," then US minister
to Britain.
Blumenfield disparages, above all, Horace Mann, the Father of American Public education, whose statue now stands in
front of the Massachusetts State House. Mann's educational model, influenced by the Prussian system, was adopted by
nearly every state in the Union, and nothing discloses better the way the Puritan passion for education waxed rather than
waned in Brahmin Boston. Blumenfield's response?
Only in Boston did the public schools receive unflagging public support
mainly because
of the
Unitarian movement, which strongly favored public education The takeover of Harvard in 1805 by the
Unitarians is probably the most important intellectual event in American history
It became the Unitarian
Vatican, SO to speak, dispensing a religious and secular liberalism that was to have profound and enduring
effects on the evolution of American cultural, moral and social values. It was, in effect, the beginning of the
long journey to the secular humanist world view that now dominates American culture."
That one paragraph is perhaps the most telling its author ever wrote. And having reached back to condemn Harvard, the
venerable Puritan-inspired flagship of Boston Brahmin liberalism, Blumenfield wastes no time also condemning Harvard's
modern sister, the Massachusetts Institute of Technology, founded in 1861 by William Barton Rogers. Noting that
William's brother, Henry, had in 1832 written a series for the Free Enquirer, which Blumenfield explains was "the
mouthpiece of the Socialist movement, advocating women's liberation, atheism and, above all, a national public
school system," he continues, "out of these [articles] he and his brother William "later developed a plan for a poly-
technical institute which would in 1861 be established as the Massachusetts Institute of Technology It is not without
significance that America's leading scientific university should have been founded by a socialist working in concert with
Harvard Unitarians."
It hardly seems necessary for Blumenfield to add, but he does, of uber-Boston Brahmin James Savage, that "William
Barton Rogers married the daughter of Savage, one of the leading Unitarian activists in the cause of public education."
9.
Although Blumenfield considerably over-reaches with his polemic, the truth is that many Brahmins did admire Robert
Owen, in whose circle it is a fact the word socialism first arose. Our old friend Francis Cabot Lowell, the Brahmin master
spy of the English textile industry, may indeed have known Owen. Certainly Owen's name comes up more than once in
Robert Daltell's Enterprising Elite: The Boston Associates, where the author notes "an eerie amount of similarities between
the communities of New Lanark (an Owenite settlement in Scotland) and the Waltham-Lowell mill towns.
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All of which is very much to the point that it would be a mistake to lose track of those
other Puritan themes we began with here. Autonomy continued to figure importantly. The choice by Francis Cabot Lowell
of Waltham, and of his successors of the town they named Lowell after him, was not just about water power. As Mona
Domish has documented in Invented Cities, Boston Brahmins showed clearly in the their decisive choice not to develop (as
Middle Class Yankee Bostonian merchants wanted) the Back Bay as a dock area extending Boston Harbor, that they
wanted "Cultural Boston" where they wanted it, just as surely as was the case with "Academic Boston," "Horticultural
Boston," and "Industrial Boston."
Similarly with philanthropy, about which there is more to say of the Brahmin chapter than has already been touched on
here. Thus George W.Cooke in his Unitarianism in America quotes B. B. Frothingham to the point that
The Town of Boston had a poorhouse and nothing more until the Unitarians initiated humane institutions for
the helpless, the blind, the insane. The Massachusetts General Hospital (1811), he McLean Asylum for the
Insane (1818), the Perkins School for the Blind (1832), the Female Orphan Asylum (1800) were of their
devising
The Unitarian conception of the relations of altruism and religion was pertinently stated by J. T.
Kirkland, president of Harvard
when he said that 'we have as much piety as charity, and no more.
A more detached witness agreed. After his 1842 visit, Dickens wrote of these philanthropic efforts: "I sincerely believe that
the public institutional charities of this capital of Massachusetts are as nearly perfect as the most considerable wisdom,
benevolence, humanity can make them."
It was not just the case that Lowell was determined in C. M. Rosenberg's words in his biography of the Brahmin
entrepreneur to "prevent the squalor and social unrest he had observed in the British factory towns in any of his own
factories in Boston," but the "quiet paternalistic capitalism that built the boarding houses, the company store and schools at
Waltham," was just one example of his biographers claim that "Lowell [was] always eager to combine goodness with
profit," as keen a philanthropist, interestingly, as his son John, founder of the Lowell Institute of which more in this series
soon, was an educator. Other examples and on the part of all Lowells partners and the Boston Associates generally abound.
According to University of Michigan sociologist Dorceta Taylor, "the Boston Associates gave generously to
Harvard
University and the Massachusetts General Hospital."
On the other hand the magnificent Beacon Street palazzo overlooking Boston Common of Nathan Appleton, a leading
Boston Associate, discloses how splendid was the state the Associates lived in, never mind providing quite the setting for
the marriage of the daughter of the house to poet Henry Wadswoth Longfellow, wherein, by the way, it was she, not he,
who was said to have risen in the world. Furthermore, Robert Dalzell's study argues that the idea "[the Boston Associates]
primary goal [was] increasing the return on capital" is actually a case not proven. "The truth is, Dalzell writes, "that the
facts do not fit this thesis," and he insists that although "in its day the Waltham-Lowell system represented the greatest
single concentration of industrial resources in the US," in many important ways that concentration was "unique," and
cannot be understood by analytical models that "rely on economic factors alone." It is a striking conclusion. And led to
another.
"The tradition of service in Boston has run especially deep," Dalzell noted, and "it was the Boston Associate who, more
than any other single group of individuals, who created that system
The
world
the
Associates
made
is
with
us
still."
Perhaps just as we owe the beginnings of American philanthropy to the Puritans, we may also owe the overall principles of
that philanthropy to the Brahmins. Yes or no, why is this possibility, one wonders, such a secret? For the same reason that
as I observed here in "Brahmin Dreams" last time, the Lowell/Curley era in Boston attracts SO much more attention,
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historically, than the Eliot/Fitzgerald era. The fact that of the two Boston mayors, Curley was an entirely local figure, and
Fitzgerald the founding father of the greatest American political dynasty of the 20th century, whose name John Fitzgerald
Kennedy bore and whose legacy was discernible as well in the career of Edward Kennedy, seems hardly to matter.
Similarly, the Harvard presidents as well as the Boston mayors. Lowell, influential in education, was nothing like Eliot, a
figure of huge historical importance, whereas Eliot, the founder of modern Harvard and a founding professor of MIT -
"America's headmaster" - is the archetypal Boston figure (the reformer) in the same way JP Morgan (the financier) is New
York S, Theodore Roosevelt (the statesman) is Washington's, and Cecil B. DeMille (the movie mogul) is LA's. Yet Eliot
was also the great liberal champion. He appointed the first observant Jew (Charles Gross) to a Harvard professorship, and
as well the first practicing Irish Roman Catholic, Jeremiah D. Ford. He railed constantly, moreover, against the notoriously
arch-bigoted Brahmin sponsored Immigrant Restriction League of which President Lowell was an officer.
Why does every one of Lowell's persecutions - of Jews, blacks and homosexuals - become the subject of whole books,
while Eliot is rather noticeably ignored? The question arises with special intensity because Eliot was also an important
religious figure He was an ardent Unitarian who has been compared to Unitarian founder William Ellery Channing, the
son of a father of whom Richard Norton Smith called in The Harvard Century a "high priest in the Unitarian Sanhedrin that
dominated Boston." Only Jerome Karabel in The Chosen underscores fairly the conflict "within the Protestant elite
between its progressive, inclusionary wing and its conservative, exclusionary wing," a conflict "embodied" - Karabel's
word - "by the "two Boston Brahmins who were bitter personal and political enemies." Eliot, for instance,
"struggle[ed] desperately" as president emeritus to block Lowell's efforts to restrict Jewish admissions to Harvard in the
1920s.
Is all this explained by anti-Brahmin or perhaps, anti-Unitarian prejudice, and if so, cultivated by whom? Certainly - and
Eliot, alas, was a leader in this too - Unitarian Brahmins were often hostile to Catholicism. (Italian unity and independence
was a favorite cause, the enemy being the always detestable Pope; Irish unity and independence much less so, the enemy
being good Queen Victoria!) But we too often confuse Yankees with Brahmins. As Oscar Handlin and Deborah Solomon
and other scholars since have documented, for example, the bigoted mob that burned down the Catholic convent and school
in Charlestown in an action cited repeatedly to illustrate the depth of ethnic and religious hostility in Boston in the mid
19th century was a working class Yankee mob, while most of the students enrolled at the convent school were the
daughters of Boston Brahmin Unitarians.
Brahmin bashing? Consider the title of a book on the subject, Brahmins and Bullyboys: G. Frank Radway's Boston Album
(1973). Bad enough to characterize Irish Americans as bullyboys; equally ignorant to suggest that their antagonists were,
not Yankees, but Brahmins. Worse was an article in Slate by Andy Bowers, "What's a Boston Brahmin?" which mindlessly
announced that Brahmins were "well known for their hostility to the Irish and other immigrants." I say mindlessly because
an hour with Oscar Handlin would have confirmed that Bowers, again, was confusing Brahmins with Yankees.
Who A. D. Richmond was confusing with whom in his book of 2001, Unmasking the Boston Brahmin is a little more
difficult to discern, but perhaps a somewhat unconscious part of the same Brahmin-bashing. Few would protest his thesis
that that "the slow progress of racial integration into the social and academic life of a university that professed to have a
liberal ideology that supported reform" justified entirely "[b]lack students and academics
push[ing] through a reform
agenda [in the] struggle to to reform Harvard and Radcliffe from 1945 to 1990." Much more problematic, however, is
Richmond's contention that "the Boston Brahmin construct describes the white administrators who were in the position of
power" and that "when the Brahmins expanded to include black and white administrators by the 1970s Harvard's
institutional position changed slightly to accommodate the new affirmative action policy."
As we will see in more detail in the last article in this series, from the perspective of nearly a century later, it was in 1927
that the final act of the Brahmin Ascendancy played out - President Lowell's presiding over the final negative response to
the appeal of Sacco and Vanzetti - a very public surrender of the ground from which recovery was probably never possible
and in the wake of which any claim of Brahmins to be still a speaking aristocracy to a listening democracy was utterly
incredible.
To call anyone a Boston Brahmin in the sense Richmond clearly means it in 1990 or even in 1970, even if one allows him a
certain latitude in 1945, is problematic. We have already encountered here in Samuel Eliot Morison and John Brooks
Wheelwright individuals who in the generation after the end of the Brahmin Ascendancy still felt the pull of the old values.
Children of the last of the Boston Brahmin aristocracy whose mandate was widely accepted, these individuals - who
included such figures as PBS god-father Ralph Lowell, Watergate hero Eliott Richardson and poet Robert Lowell - earned
their place in the new ethnically diverse Boston ruling class of the post Brahmin Ascendancy entirely on their own, as
individuals, no longer as members of a caste or aristocracy as Holmes defined it. To identify such men as Boston
Brahmins, rather than as descendants of Boston Brahmins, is hopelessly misleading.
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On Boston Brahmin Liberalism I Open Letters Monthly - an Arts and Literature Review
In contrast to such present-day American confusions about the term Boston Brahmin, the Times of India in recent
observations about the subject - by Chidanaand Rajahatta in an article of October 24, 2009 - is a model of clarity, as well
as subtlety in venturing what may be Americans difficulty with the term today:
Indians who study or teach at Harvard or MIT (both in Boston) are not areas often kidded about being Boston
Brahmins. The expression was first used by Oliver Wendell Holmes in 1860
[who] borrowed the idea of
the pedagogic Brahmin from India, and saw them as a 'race of scholars', whose aptitude for learning was
congenital and hereditary.' There was quite a bit of traffic in those days between Massachusetts and south and
east India. However, the term has died a quiet death in the US. Perhaps it has something to do with political
correctness. John Kerry was briefly described as a Boston Bramhin when he ran for president in 2004
but
the moniker did not catch on.
Given that neither learning nor philanthropy, but riches and ethnic bigotry and oppression, are the definition of Brahmin for
most Americans, that was perhaps fortunate for Kerry.
10.
Back in Harvard Yard, finally, none of the US presidents we opened with were or became Unitarians. Except, perhaps, John
Fitzgerald Kennedy.
What say? In his book, Counselor: A Life at the Edge of History, a most telling anecdote of Ted Sorenson, President
Kennedy's influential speechwriter and a Unitarian, was the one in which Kennedy asked him once, jokingly, if anything of
his Catholicism was rubbing off on Sorenson. "No" Sorenson replied, "but I think some of my Unitarianism is rubbing off
on you." Admits Sorenson: "Many of the speeches I drafted reflect Unitarian principles."
Each was arguing from his own background, of course. But Jane Greer once pronounced even Kennedy's inaugural address
as pure Unitarianism. And the distinguished Roman Catholic journal Commonweal titled Robert Lander's review of
Sorenson's book, "Unitarian Advice."
Douglass Shand-Tucci is an historian of American art and architecture and Boston/New England studies. His most recent
book is the second volume of his study of the architecture of Ralph Adams Cram (Univ. of Massachusetts Press, 2005) and
he also teaches at the Boston Architectural College in the Masters degree program in Historic Preservation. He is the
founder of the innovative new history site, Back Bay Historical | Boston CentricGlobal Studies, where his monthly
longform blogs have become his principal publishing outlet.
Related:
American Aristocracy - Letter from Boston:
Toward a
American Aristocracy ====== Brahmin Dreams: In
Search of
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